Pimp My Sales Team!
If you think you can get more out of your sales team, it’s very likely you can. Kate Mayfield shows how to take a poor performing sales team and turn it into a slick operation.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
If you think you can get more out of your sales team, it’s very likely you can. Kate Mayfield shows how to take a poor performing sales team and turn it into a slick operation.
At Immediate Media, writes Jess Burney, portfolio marketing is one of the key pillars behind their successful subscriptions marketing approach that has seen them grow their subscriber base to well over one million paid subscribers.
Sarah Miller, Editor of Condé Nast Traveller, has announced the appointment of Fiona Lintott as Fashion & Beauty Director of the magazine.
Art in America, a monthly US title, goes on sale for the first time on the UK newsstand on 1 February, priced £6.50.
Leading multi-platform media group Bauer Media has joined forces with award-winning production company Twofour to create an innovative new 7 x 60 minute TV programme for ITV, to be broadcast on ITV2 later this year.
New freemium magazine Scout London launches in March 2012 as the definitive guide to the upcoming week’s most entertaining events across the capital.
Company magazine, the magazine for young women published by Hearst Magazines UK, has undergone a striking, ‘street-wise’ new re-design.
IPC Media has achieved certification to the Carbon Trust Standard for cutting its absolute carbon footprint by nearly seven percent.
August Media has acquired the UK business of ID Media, previously part of a German-based group.
Special interest media group Future Publishing has announced the appointment of Richard Keith to the role of Publisher within its new Entertainment portfolio. Richard replaces James Binns, heading up Edge International, PC Gamer, Official Xbox and Xb
Future, the special-interest media group, has announced the appointment of Jane Crowther as Editor of Total Film – the publisher’s flagship movie brand.
Leading multi-platform media group, Bauer Media, has announced two new senior appointments within its commercial and publishing operations across the Bauer Magazines portfolio.
Two magazines produced monthly in Surrey and Hampshire have been acquired by Tindle Newspapers Ltd as part of their drive to increase the number of local community publications within the Group.
Chris Maguire has been appointed editor of North West Business Insider.
Girls Love, a new bi-monthly title from Signature Publishing, goes on sale 31st January, priced £3.99.