New Editor-in-Chief appointed for Measurement Science and Technology
Professor David Birch has been announced as the new Editor-in-Chief of the leading international journal Measurement Science and Technology.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Professor David Birch has been announced as the new Editor-in-Chief of the leading international journal Measurement Science and Technology.
John Brown has created two magazines for Merlin Entertainments Group that mark a new departure in the way that the global leisure company markets its theme parks to schools.
Advanced Photoshop, the magazine for Adobe Photoshop professionals, is giving away an exclusive guide to retouching with issue 90.
Imagine Publishing’s photo magazine, Photography for Beginners, has released an exclusive 16-page Beginners guide to Lenses mini-mag with issue 7.
Britain’s women spend more than men on music, with live music and music merchandise bumping up their annual bill to £803 versus men’s £793, according to the Great British Music Survey by publisher IPC Media.
Strategic content agency, Redwood, has appointed newsstand editor Rachael Ashley to its editorial team.
UPM will permanently close down the paper machine 3 at UPM Ettringen paper mill on 14 December 2011 as being uncompetitive.
The winners of this year's PPA Independent Publisher Awards were unveiled at a ceremony at Vinopolis on December 6.
The Professional Publishers Association (PPA) has unveiled the findings of a major new research study that provides media planners and buyers with comprehensive evidence of the power of magazines in influencing consumer behaviour through both adverti
Newsagents will continue to obtain back issues of partworks from their news wholesalers after intervention from the NFRN.
Haymarket Media is strengthening its communications team with the appointment of Emilie Reymond as PR and communications manager.
This week’s Stylist magazine is a unique collaborative issue with journalist and food writer, Nigella Lawson.
Incisive Media CEO has lined up with top business leaders to endorse new support for British innovators.
To support its expansion in Asia, print and digital media agency John Brown has acquired Kleio.
Healthy, which claims to be the UK’s biggest-selling health magazine, has some exciting changes planned for 2012.