River to publish international editions of Weight Watchers
River has announced an extension of their relationship with Weight Watchers with the publishing of an additional 7 international editions of their magazine.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
River has announced an extension of their relationship with Weight Watchers with the publishing of an additional 7 international editions of their magazine.
The winners of this year's PPA Customer Direct Awards were unveiled at a ceremony at The Brewery on November 24.
Northern Ireland's leading society magazine, Ulster Tatler, is implementing a DAM system to manage its picture desk and to generate revenue by selling its society photos online.
IPC Inspire has announced the appointment of Owain Jones as the new editor of Rugby World.
The Association of Publishing Agencies held their annual awards event at Old Billingsgate on 23 November.
Future, the special-interest media group, has unveiled Computer Arts Collection, a new series that forms the definitive guide to graphic design, typography, illustration, branding, photography and advertising.
Kevin Hand is to become the new Chairman of the Professional Publishers Association (PPA).
Rita Lewis is to become publishing director of IPC Southbank’s fashion and beauty title, InStyle.
Air Business has just signed a major deal to become the sole international mail and fulfilment provider for IPC Media, one of the leading consumer publishers in the UK.
Four motor racing ‘greats’ are to be inducted into the Hall of Fame, at the Roundhouse in Camden, on Thursday 16 February 2012.
The Press Complaints Commission has upheld a complaint against Woman under Clause 1 (Accuracy) of the Editors' Code of Practice after a first-person story it published about a custody battle was disputed by the former husband of the woman who had tol
Gizzi Erskine, the celebrity chef, food writer and TV presenter, is to join fashion and beauty title InStyle as contributing editor.
Air Business Group has recently won a major contract to handle both distribution and fulfilment for UKIP Media Events, the publishing and exhibitions company.
British style visionary Henry Holland has become the first fashion designer to bring a magazine cover to virtual life by releasing his own augmented reality app, powered by Aurasma.
Two Sides Autumn Seminar reaffirms the popularity of print as an essential medium for media planners with leading media players citing print as being “the new cool” and having a unique appeal compared to digital media.