Royal Mail launches new door drops online service
Royal Mail has launched a new time-saving tool enabling customers to create and book their unaddressed mail campaigns online and arrange printing and direct delivery.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Royal Mail has launched a new time-saving tool enabling customers to create and book their unaddressed mail campaigns online and arrange printing and direct delivery.
The Subscription Marketing survey is run annually by Wessenden Marketing and InPublishing and is sponsored by CDS Global. The 2010 survey has just been published and has produced some fascinating trends and insights into the current state of subscrip
Restaurateurs have to entice punters through their doors, to sell their finest cuisine, to cross-sell the side dishes and up-sell the slightly unnecessary but highly profitable coffees at the end and, finally, to get them to come back again in the fu
Look, feel and aesthetics are all trump cards for the printed word. A large part of the tactile appeal of magazines is clearly down to the paper choice and finishing, and publishers have a wide variety of options in this area, depending on budget and
With all the distractions at people’s disposal now, how are magazines going to claim back some of the leisure time lost to pods, pads and phones? The first thing they must do, says David Hepworth is get noticed.
Lonely Planet Magazine, a recent addition to a well established brand, has seen exceptional growth since its launch two years ago. Meg Carter talks to Dominic Murray and Peter Grunert about their launch strategy and plans for the future.
Peter Genower, a shortlist judge for the 2010 Maggies Cover Awards, looks at how changing times and culture have influenced the way magazines use that vital ‘shop window’ - the front cover – to attract readers.
It is difficult to think of anyone, writes Ray Snoddy, who has had a greater impact on the men’s magazine market in the UK – for good or ill - than Mike Soutar, co-founder and chief executive of ShortList, the free weekly.
Sport Media have been quick off the blocks with this oneshot, marking THE engagement. It goes on sale on 19th November, priced at £4.99.
Bauer Media’s Peterborough-based Specialist division has announced the return of Car Mechanics to its motoring portfolio.
Drumhead, a new bi-monthly title from ICS Source, goes on sale on 2nd December, priced at £4.25.
MEN Media has announced the launch of a new free weekly business magazine: Business Week.
Reader’s Digest has recently kicked off an ambitious long term marketing plan designed to significantly grow the brand. Publisher James Mallinson outlines their strategy.
Last week, Bauer Media launched a new venture, Bauer Access, to help develop their cross-platform commercial offering to blue-chip brands. Karen Stacey explains what they’re trying to achieve.
After a short hiatus, the PPA’s Customer Direct conference made a welcome return on 10th November at The Brewery in London. James Evelegh was there with his notepad.