Paul Weller wins Uncut award
Uncut magazine has announced Paul Weller’s Wake Up The Nation album winner of the Uncut Music Award 2010.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Uncut magazine has announced Paul Weller’s Wake Up The Nation album winner of the Uncut Music Award 2010.
Taylor & Francis Journals has been awarded International Publisher of the Year 2010 by the International Printers’ Network (IPN).
Alex Harris from the National Magazine Company’s Men's Health took the overall title at this year’s PTC New Journalist of the Year Awards.
The International Customer Publishing Awards, organised by the Association of Publishing Agencies, took place on 25th November, at Old Billingsgate in London.
Songlines’ Jan/Feb issue is a bumper Christmas issue bagged with two CDs and a wall calendar for 2011.
NME is celebrating another triple victory after picking up three prizes at last week’s Record of the Day Awards for Music Journalism and PR.
At the recent Print Week Awards, St Ives Plymouth won the Consumer Magazine Printer 2010, a category it last won in 2005, while St Ives Peterborough won the Business Magazine Printer 2010 for the second year running.
The Stationers’ Foundation, the charitable arm of the Worshipful Company of Stationers and Newspaper Makers has recently launched its Shine 2011: School Media Awards competition in England and Wales.
Reader’s Digest has employed James Brown, one of UK magazine’s biggest names, as its new columnist.
Andy Maslen, a regular contributor to InPublishing magazine, has just published his fourth book, Write Copy, Make Money.
BBC Magazines Bristol has announced that it has purchased a majority share and taken over the management of Who Do You Think You Are? LIVE, the UK's largest family history event.
Christmas Feast With Andrew Fairlie, a oneshot from Oxygen 10, goes on sale on 1 December, priced £2.95.
National Geographic Traveller is one of the most widely read travel magazines in the world. The launch of a UK edition is set to broaden the international reach of the publication to 15 local-language editions.
Bauer Media has announced that CEO Paul Keenan is to join The Prince's Trust Internet & Media Group (IMLG), as a founder Member.
LCD Publishing is launching a one shot to celebrate the engagement of the year. It goes on sale on 26 November, priced at £2.99.