New editor of Woman’s Own
IPC Connect has appointed Vicky Mayer to the role of editor of leading weekly, Woman's Own.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
IPC Connect has appointed Vicky Mayer to the role of editor of leading weekly, Woman's Own.
St Ives plc has announced its entry into a strategic partnership with the Association of Publishing Agencies (APA).
Quark has announced that Incisive Media has chosen to upgrade 250 licences of QuarkXPress 8 as well as adding equivalent licenses of Quark Publishing System (QPS) for its 89 publications serving the financial and professional services markets globall
William Reed Business Media has announced the launch of the National Convenience Show (NCS) as part of its Exhibitions initiative for 2011.
GQ won two awards at this year’s The Maggies, scooping the top honour of Best Cover of the Year, as well as Best Fashion Cover, for their September 2009 issue, featuring a seductive Sienna Miller.
An online service allowing marketers to take a more intelligent approach to unaddressed mail campaigns has been unveiled by Royal Mail.
Two Sides, the UK initiative to promote the responsible production and use of print and paper, and encourage its use as an attractive, practical and sustainable communications medium, has announced that an updated version of its ‘Myths and Facts’ bro
Tickets for Future’s Producer Sessions Live, the UK’s “premier” live event for hi-tech music producers have gone on sale, with tickets available from www.producersessionslive.com.
Future, the special-interest media group, has confirmed two senior commercial appointments to its Games and Sports portfolios.
IPC Advertising has announced that Dan Coleman is to join its strategic business development team as one of three strategic business development directors, reporting directly to group trading director Ian Tournes.
Earlier this month, a new look Cosmopolitan hit the stands. Publishing Director Justine Southall explains why the redesign was necessary.
The winners of The PPA Awards 2010 were unveiled at a glamorous 1950s-themed ceremony at the Grosvenor House Hotel on Mayfair’s Park Lane on June 16.
Jerry Cowhig, Managing Director of IOP Publishing, Bristol, has been named in the Queen’s Birthday Honours list. He has been made a Member of the British Empire (MBE) “for services to science”.
The winners of the prestigious 11th World Mail Awards were announced at a gala dinner in Copenhagen on 15th June.
The Royal Mail’s Address Management Unit (AMU) has appointed AFD Software Ltd (AFD) to assist with the development and distribution of the Postcode Address File (PAF) and its portfolio of address management products.