Sheffield title wins awarded national benchmark
New Start claims to have become the first magazine in the country to be awarded recognition by a government place-making scheme.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
New Start claims to have become the first magazine in the country to be awarded recognition by a government place-making scheme.
The National Magazine Company’s monthly baby and pregnancy title, Prima Baby, claims to be the first in its sector to hire new experts to advise its readers on family finance and maternity law.
Haymarket Creative Solutions has produced a 32-page glossy guide to the Future of Football in partnership with electronics giant Samsung.
Time Out Live was one of four winners of the inaugural Media Pioneer Awards. Carolyn Morgan gives a brief overview of their winning entry.
A new “brighter” Cosmopolitan, the women’s monthly magazine published by the National Magazine Company, hits newsstands this week.
The top ten tricks restaurants employ to get customers to spend more have been revealed in the July edition of olive magazine.
Mortons Media Group has purchased Rail Express magazine from Foursight Publications Ltd of King’s Cliffe, near Peterborough.
IPC Media’s licensing and syndication business IPC Plus, working together with international brand management company Global Brands Group, has announced the launch of NME Icons.
Marketforce, a leading newstrade sales, marketing and distribution business, has announced the appointment of Tracy Jones to the role of Head of International.
The British Printing Industries Federation (BPIF) will target all MPs with a briefing document entitled Priorities for Print.
RIB International Magazine, the powerboating title launched in 1999, has undergone a redesign and rename to simply, RIB Magazine.
LCD Publishing will release on 25 June, a seasonal one-shot – the Summer Bumper Pack, priced at £2.50.
Marketing Magazine has appointed Gareth Jones as editor, replacing Lucy Barrett, who left the magazine earlier this year.
The popular Digital Photographer of the Year Awards returns for 2010 – this time with backing from photography giant, Samsung.
Bauer Media's men's lifestyle brand FHM has secured an exclusive partnership with betting website StanJames.com, through Media Agency Village Green, timed to coincide with this summer's World Cup.