Stuff magazine unveils its new look
Haymarket Consumer Media unveiled a new look for its gadget title, Stuff, in the magazine’s September issue.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Haymarket Consumer Media unveiled a new look for its gadget title, Stuff, in the magazine’s September issue.
Gramophone editor James Inverne has become the latest high-profile writer to produce a Faber Pocket Guide.
A social enterprise has teamed up with newspaper and magazine publishers to tackle elitism in the UK journalism industry by helping young journalists get a foot in the door.
A new-look Heritage Commercials motors onto the newsstands on 3 September.
Look, the glossy high street fashion and celebrity weekly magazine, is to hook into its core audience of 15-34 year old women through its first ever cinema advertising campaign.
COMAG Specialist has announced that it has won the contract to distribute iconic London listings magazine Time Out and its associated guides.
The legendary Sir Stirling Moss is Guest Editor of the October issue of Motor Sport. The issue will be published with four different covers, each featuring one of Stirling’s most famous cars.
According to recent research, few UK consumers would be willing to pay for content they can currently access for free.
Company magazine has announced that Nivea Deodorant Pearl & Beauty is headline sponsor of the Company Fashion Awards 2009, in a deal negotiated by Carat Sponsorship.
Polestar has printed over four million inserts for five different industry sectors in support of the Direct Marketing Association Insert Council’s project.
The launch of Guitar Aficionado marks the debut, says the publisher, of a magazine for passionate people who enjoy the guitar in all its functional timeless beauty.
Cocktail Marketing has brokered a three-month partnership between QVC, one of the largest multimedia retailers in the world, and Woman magazine, published by IPC Connect.
Dawson News, the trading name of Surridge Dawson and the division of Dawson which delivers newspapers and magazines to the newsagents of England and Wales, went into administration on August 3rd, 2009, following the well-publicised recent loss of pub
Wallpaper* and FORTUNE have joined forces to select the top ten best new business hotels for travellers, with The Park Hyatt in Shanghai and The Four Seasons in Florence sharing the top spot on the list.
Climb Magazine relaunches next month with a new look and “massive” free centrefold poster.