DC Thomson launches Puzzler app
DC Thomson has announced the launch of a new Puzzler app to tap into the puzzle market.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
DC Thomson has announced the launch of a new Puzzler app to tap into the puzzle market.
Great content is the cornerstone of a great show and creating magic moments is part of that, says Rachael Bosshardt, event director (food & festivals) at Immediate Live.
The Govanhill area of Glasgow is home to over 50 different nationalities with over 30 languages spoken, a fact that presented Rhiannon Davies with an exciting set of challenges when she decided to launch a magazine for its residents...
Fashion site SheerLuxe launched in 2007 and has grown considerably since then, but growth did not come overnight. It’s been steady and organic.
Forget cats. Which? has cracked how to break the internet of today. Here, its TikTok team – winners of this year’s BSME Talent awards for best use of social media – talk to Laura Silverman about potholes, smart meters and dirty laundry.
What can we learn from the past? Lots, as Jim Bilton finds out when he looks back over past mediafutures surveys.
There has been a distinct shift in the mood of the industry over the last few months, observes Jim Bilton having analysed the findings of the latest tranche of mediafuturesPULSE research.
New product development is crucial for driving the success of content, data, and media organisations. If your customers need actionable insights and evidence to support high-value decisions, you have a great opportunity...
Jess Burney is managing director, customer marketing & subscriptions at Immediate Media where her focus is on growth. This is what’s on her mind today…
Fabulous’ Fuller Bust Collection returns for its second collection.
BSME has unveiled the shortlists for its 2024 awards.
Elle UK has announced the return of the Elle Style Awards with BMW as headliner partner.
With cost and environmental pressures to the fore, publishers and their print partners are having to work much more collaboratively. We grab five minutes with The Manson Group’s Chris Ferrari-Wills to look at the choices they face.
Jim Bilton analyses the responses to the latest mediashapers poll to find out. One thread running through the responses can be summed up as, ‘Terminator wars in Media World’. Jim explains…
Utiq has announced it is to include home internet connections within its Authentic Consent Service.