Informa extends partnership
Informa has announced an extension of its partnership with Monaco through Top Marques.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Informa has announced an extension of its partnership with Monaco through Top Marques.
Bauer Media Group has announced a focus of its strategy on its media business and has strengthened its leadership team.
Last week VICE Magazine announced it is to relaunch with four issues a year.
Prima has announced a partnership with Ambassador Cruise Line to launch Crafting at Sea experience.
ESco recently announced a rebrand to mark their milestone as the company celebrates 40 years of business.
Future plc has announced a pre-close trading update for the year ending 30 September 2024.
The ad tech professional brings two decades of experience to the role, including 10 years focused on CTV.
Immediate has announced the release of its third annual climate impact report, and says it’s on course for 30% emissions reduction by 2030.
Grazia has announced it is launching its first standalone beauty magazine.
Cafeyn has announced the appointment of Pascal Rialland as chairman of the board, he succeeds Tom Alexander, who will continue to support the group as senior advisor.
The latest Commerce Creator Lighting Survey by URLgenius & impact.com identifies creator and brand insights poised to shape the holiday season.
The data reveals an increase in digital publisher revenues, bolstered by subscription growth.
Following its recent acquisition by Sir Paul Marshall’s Old Queen Street media group, the magazine has announced that former MP and cabinet minister Michael Gove will be its new editor.
Publishers are increasingly focused on creating integrated marketing strategies and developing new revenue streams. We grab five minutes with InterMedia Group Managing Director John Bardsley to get his thoughts on best practice and the opportunities
Simon Lewis, managing director and co-founder of Anthem Publishing, answers our questions about his life in publishing.