Kennedy Publishing launches bookazine series
The World Of… bookazine series aims to produce compelling and engaging bookazines that deep dive into a variety of people and topics.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The World Of… bookazine series aims to produce compelling and engaging bookazines that deep dive into a variety of people and topics.
Air Business expands its global e-Commerce and publishing services with two key appointments.
IPA says it welcomes the Labour Government to continue the success of creative industries.
AOP and Deloitte data reveals reduction in display advertising revenue for publishers in Q1 2024, as subscriptions continue to rise.
Gaming platform Esportal to offer brand lift measurement with Brand Metrics partnership.
Exact Editions has announced that New Welsh Review now offers a full archive on its digital platform.
Boom! A new podcast series about how a generation blew up American politics launched July 4th 2024.
The Advertising Association has responded to the Business and Culture Secretary appointments.
Fieldsports Press has announced the expansion of its portfolio with the acquisition of four titles from David Hall Publishing.
Every piece of print is an opportunity to wow your reader, says Acorn Web Offset’s Matt Carry. We grab five minutes with him to revisit some of the exciting options available to publishers to engage their audiences through print.
Jane Bruton has been announced as the new editor-in-chief of Good Housekeeping UK.
Story House Egmont and Mattel have announced their partnership to launch a Monster High magazine across UK, GSA, Nordic, and CEE markets.
IPG Mediabrands performance agency KINESSO to lead activation on CAM, a green media marketplace.
WoodWing has announced the launch of an in-app Photo Editor within WoodWing Assets Cloud.
Hearst Magazines has announced it is to open an advertising sales office in Paris, France in January 2025, with Jean-Christophe Demarta to be appointed managing director of Hearst Global Solutions France.