Immediate appoints content director
Immediate has announced Lily Barclay as first content director of Good Food.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Immediate has announced Lily Barclay as first content director of Good Food.
On Wednesday night, the publishing industry gathered at City Central at The HAC to celebrate the annual PPA Awards, hosted by comedian, presenter, political commentator, and podcast host Nish Kumar.
Bloomberg Businessweek has relaunched with a debut monthly print edition and an enhanced digital experience.
Time Out and Uber Eats are bringing back the Big Dish Energy Live event in London as the culmination of a six-month integrated Time Out campaign, as part of which Londoners chose their favourite dishes in the city.
Onetag has selected Cedara to provide comprehensive, compliant emissions measurement for buy- and sell-side customers.
The inaugural Arts & Culture Awards will honour the organisations, performances and talents that make Australia’s arts and culture scenes in Melbourne and Sydney this year.
Adept Data Services has announced the acquisition of Avio Subscription Management Software, formerly known as Achieve.
WoodWing announced at the end of May that it has joined the Book Manufacturers’ Institute.
Flora Letanka has been named Chief Executive of The Economist Educational Foundation, effective September.
Prospect has launched 'On the Cover', a newsletter giving subscribers behind-the-scenes insight into the creative processes involved in designing the magazine's front covers.
AI tools are already making journalists’ lives easier. Sara Forni, AI product manager at Atex, looks at how journalists are currently using AI and what lies ahead.
AI tools are already helping publishers improve the discoverability of their content. Brian Alford, founder and CEO of Bright Sites, looks at what’s possible now and what’s coming down the line.
Much of publishers’ initial interest in AI was text-based, but AI’s potential to make a huge impact on image creation and editing soon became apparent. Derek Milne, commercial pixometrist at Pixometry, looks at what’s possible.
Immediate Media has adopted a company-wide approach to AI, involving all roles and all departments. Hannah Williams, MD, digital content, explains their thinking.
Entertainment and Lifestyle, despite the obvious cross-over, are often treated separately. PA Media has brought them together under Kerri-Ann Roper, who explains the thinking behind this and other recent enhancements to PA Media’s offering.