Reader’s Digest closes
Reader’s Digest UK has come to an end after 86 years, according to its editor-in-chief.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Reader’s Digest UK has come to an end after 86 years, according to its editor-in-chief.
Amateur Gardening magazine is celebrating its 140th anniversary edition.
The 44th PPA Awards will be held on Wednesday 26th June, at City Central at the HAC.
Bauer Media has announced the publication of the Smash Hits Taylor Swift special.
Acorn Web, a magazine printer of short to medium run, A4 and A5, multi pagination, magazines has invested in a brand-new website and company video.
New forecasts show ad market’s value is set to reach £38.8bn this year and top £40bn by 2025.
Hearst UK has announced Joe Robinson as senior client partner – Technology / Automotive /Travel / Entertainment.
The Association of Online Publishers last week announced the shortlist for the 2024 Digital Publishing Awards.
GumGum has announced the integration of Playground xyz’s media portfolio into its Asia-Pacific business and the completion of the global rollout of The Mindset Platform, GumGum’s cookieless solution.
Keeping tight control of your cost base is more important than ever, especially for independent publishers. We ask Publishing Hub’s Steven O’Hara for his thoughts on how publishers can save money.
The 2024 PPA Festival kicked off with a weighty discussion on the future of media. James Evelegh was taking notes.
Following the success of the inaugural issue, which hit newsstands last October, Grazia has announced the launch of a Spring edition of CASA.
The Q1 2024 Bellwether report shows UK marketing budget growth cooled, but the 2024/25 outlook remains positive.
Mark Allen Group has appointed Air Business as their official event logistics partner.
In a rapidly changing world, it’s important to think strategically about your audiences and what you offer them. We ask FT Strategies’ Joanna Levesque for her thoughts on the challenges and opportunities facing publishers.