Aquila partners with Jellyfish
Aquila children’s magazine has partnered with Jellyfish to offer digital editions via web and app.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Aquila children’s magazine has partnered with Jellyfish to offer digital editions via web and app.
impact.com has hired Nikolai Lundstrøm Brink to lead its efforts in Denmark.
The IAB initiative aims to boost transparency in environmental sustainability.
ESco has announced the recent appointment of Robert Green as director of product, effective since March 2024.
Bauer Media Group announced last week it is to cease publication of Improve Your Coarse Fishing magazine and will integrate its content under the Angling Times umbrella.
Haymarket Media Group has partnered with Normative to help drive its Climate Action goals and targets.
Readly has joined the National Pharmacy Association’s Your Health Your Pharmacy campaign to promote wellbeing.
The 2024 World Media Awards have announced they are open for entry, new categories include ‘Small Budget, Great Impact’ and B2B.
DLT Media has chosen InterDirect Magazines Ltd to manage the pick, pack and distribution of its magazine subscription packs.
Preciso has launched an AI-driven native advertising solution that aims to help advertisers increase CTR and engagement while driving down CPM.
Film Stories magazine has given its upcoming front cover to 10 British indie films that will be coming out in 2024.
Alan Rusbridger edited The Guardian for twenty years and is now editor of Prospect magazine, where he has rediscovered the thrill of reporting. As he tells Ray Snoddy, he still delights in digging out stories.
Now that we know the moving truth of the Princess of Wales’s cancer treatment, what does a manipulated family photograph matter?, asks Dickon Ross.
No matter what you do or which sector you’re in, change is constant and will only continue. The winners will be the businesses with the mindset to embrace transformation, says Jessica Norell Neeson.
How vital are you to your customers? If the answer is ‘not very’ or ‘less than before’, then you could be in trouble. That is why, as Air Business’s Adam Sherman tells James Evelegh, it’s important to keep asking the question.