Exact Editions extends partnership with Warners
Exact Editions has partnered with Warners to provide a digital platform for Birdwatch Magazine.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Exact Editions has partnered with Warners to provide a digital platform for Birdwatch Magazine.
The Belgrano Diary, a new podcast from the London Review of Books, reassesses the sinking of an Argentinian ship, one British naval officer’s diary and a scandal that almost toppled Thatcher.
Publishers have been trading on their unique audiences and ‘authentic voice’ to sell content to brands for years, but this lucrative market may be coming to an end. Sachini Imbuldeniya says it’s time for publishers to embrace radical honesty instead.
Ahead of this year’s PPA Festival, taking place on 23rd April, we grab five minutes with PPA CEO Sajeeda Merali to get her thoughts on the state of the publishing sector.
New Scientist has partnered with Exact Editions to launch new digital subscriptions for libraries.
67 Bricks have been named as finalists in the 2024 British Data Awards in two categories - Consultancy of the Year and SME of the Year.
Atex has signalled its focus on innovation with the creation of its Atex AI Platform.
Time Out says it has expanded coverage across Australia with national content and reach to help people experience the best of Australia and offer advertisers new opportunities.
The Kate picture saga continues to generate comment – James Evelegh finds parallels in a movie classic.
AOP and Deloitte’s latest Digital Publishers’ Revenue Index shows growth in subscription, audio, and sponsorship revenues for publishers, offset by drop in display advertising.
New research from Future reveals the power of passionate consumers for brands.
Frieze Magazine is available for individual and institutional subscriptions with Exact Editions.
Bauer Media says after 10 years, the Take a Break Collection puzzle magazines have had a makeover.
The partnership aims to help Avid’s partners to measure the impact of campaigns and understand brand uplift across the marketing funnel.
Rock Sound has announced the release of its chart-eligible magazine bundle with SUM 41.