Pixometry unveils SaaS solution
Pixometry has revealed its next-generation image optimisation Software as a Service solution.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Pixometry has revealed its next-generation image optimisation Software as a Service solution.
The video certification process gives SeenThis clients the option of having IAS validation of video metrics.
Haymarket Group has reported £14.8 million in annual profits and says the company maintains strong earnings, increasing investment and accelerating growth.
Bauer Media Group has announced that Anna Sedgley is stepping down from her role as group chief financial officer.
Academic, public, government, museum, gallery and corporate libraries can now subscribe to the digital edition of Art Quarterly.
knk Software has announced the appointment of Michael Fox as vice president of operations.
Beano is celebrating the Bash Street Kids’ 70th anniversary with the launch of ‘Britain’s Funniest Class’ competition.
Bauer Media Group has unveiled its new leadership teams to spearhead its new publishing strategy.
Campaign measurement company Brand Metrics has hired Robby Kraai to develop and scale its CTV product offering.
The Government has published its response to the AI White Paper, setting out its next steps for its ‘pro-innovation’ regulatory approach to AI.
With the demise of the cookie, the rise of attention, and increasing focus on sustainability, the world of digital advertising is changing fast. The Digital Voice’s Julia Linehan tells us how publishers can make the most of this transitional period.
The Association of Online Publishers survey reveals publishers optimistic for year ahead, with focus on product innovation.
The British Society of Magazine Editors has announced the appointment of Gideon Spanier, UK editor-in-chief at Campaign, as its 2024 chair, succeeding Deborah Joseph, European editorial director at GLAMOUR UK.
Jennifer Kyte joins Bauer Media as head of content for news and entertainment.
Bauer Media Group has confirmed an agreement for the sale of the Your Horse Live and The Big One events to Kelsey Media.