Cunard partners with Harper’s Bazaar
Cunard has teamed up with Harper’s Bazaar to create a holistic wellness programme exclusively for guests aboard Queen Anne.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Cunard has teamed up with Harper’s Bazaar to create a holistic wellness programme exclusively for guests aboard Queen Anne.
Picnic says its new inventory quality assessment tool, PIQ, delivers 88% boost in media attention allowing advertisers to prioritise effective ad placements.
Country Walking, a UK walking magazine owned by Bauer Media UK, launches its annual challenge #Walk1000Miles with a dedicated 64-page supplement, available in the February issue.
The Q4 2023 IPA Bellwether Report shows UK marketing budgets revised up to strongest levels in almost a decade.
The People’s Friend says it has launched the UK’s biggest prize for unpublished authors.
Empire has teamed up with Ghostbusters on its first ever glow-in-the-dark split covers.
Kennedy Publishing has announced it is to launch Everything Pip And Posy Magazine.
Following launches in Germany, France and Spain, Utiq is expanding its Authentic Consent Service to the UK market appointing Sara Vincent as MD, UK.
Bauer Media has appointed Nicola Bates as group managing director – commercial for UK publishing.
Two Sides, a print and paper advocacy group, has announced its newest member and supporter, Acorn Web Offset, a specialist A5 and A4 magazine printer.
Condé Nast has announced plans to launch Condé Nast Traveller in Germany in autumn 2024.
Story House Egmont has announced it has expanded Hasbro rights in the UK with launch of two new PEPPA PIG magazines.
Roger Lynch, CEO, Condé Nast, testified at the Senate Judiciary Subcommittee on Privacy, Technology and The Law.
Warners Midlands have purchased a Man Roland Elite R710P 10-unit sheetfed press and installation has begun.
Future has announced that it is expanding its ad effectiveness measurement.