Cafeyn appoints new CEO
Cafeyn Group, an online press and media distribution platform, has announced the appointment of Laurent Kayser as the company’s new Chief Executive Officer.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Cafeyn Group, an online press and media distribution platform, has announced the appointment of Laurent Kayser as the company’s new Chief Executive Officer.
The winners were revealed at an awards ceremony hosted by comedian Kerry Godliman at London’s Hilton Bankside on 14 December.
AOP’s latest Digital Publishers’ Revenue Index reveals that revenue growth was flat for digital publishers in Q3 2023, with drops in display and video revenues offset by continued subscription growth.
Iliffe Media Group is continuing its group-wide roll-out of ‘Smart Ads’ selling hundreds of digital campaigns to local SME clients.
Readly has announced a partnership with Mastercard which involves support for a project to help fight climate change.
Beano and Place2Be have joined forces to support children’s mental health.
Hearst UK has announced the launch of new Women’s Health and Men’s Health apps as part of memberships that help journey to better health and fitness.
Future’s home interest brand Livingetc has announced 2024’s new interior design trend, Expressive Elegance, with the first of a new series of issues.
Global digital marketing business Jellyfish has announced the promotion of Andrea Prosperi as regional director, Italy.
Pianist, a magazine for people who love to play the piano, is now digitally available for individual and institutional subscriptions.
Immediate Media has partnered with Morrisons to launch the Host with the Most Awards: a multi-platform campaign and competition that celebrates the unsung champions of the Christmas feast.
Pocketmags, a digital magazine newsstand, is partnering with the restaurant chain to give customers free access to a monthly selection of titles.
Magazine and newspaper app Readly is launching audio functionality in the app to enhance the accessibility and convenience of consuming articles on the platform.
Air Business, a global distribution, subscriptions and ecommerce management company, has appointed Sarah Manlow as its new chief people & sustainability officer.
esbconnect has appointed Ross Lafayette as sales and partnerships director, targeting growth after its management buyout earlier this year.