Air Business appoints Peter Coebergh
Air Business has appointed former Brill CEO Peter Coebergh as a consultant to support its ongoing drive for growth in the academic publishing sector.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Air Business has appointed former Brill CEO Peter Coebergh as a consultant to support its ongoing drive for growth in the academic publishing sector.
The US newsstand, despite recent turmoil, remains a key export market. What do UK publishers need to consider when looking to boost their sales in the States? We ask Marketforce’s Richard Salsbury.
Children’s magazine publisher, Redan Publishing Ltd has announced the promotion of Joanne Ellis to head of marketing and licensing, and Jonny Williams to financial controller.
Aquila has announced that it has completed the acquisition of Laidback Solutions AB through its subsidiary Atex Media Limited.
The Poetry Book Society has announced the launch of a digital archive of the PBS Bulletin for members, poetry lovers and libraries.
A trial began last week at Southwark Crown Court of three men accused of running a major fraud operation over the course of more than a decade.
NME Networks have introduced a vibrant new brand identity for Guitar.com including a new industry hub.
InMobi has announced the acquisition of Quantcast Choice to enhance frictionless consent management for publishers.
Exact Editions is launching a newsletter, entitled ‘The Exact Edition’, which compiles the latest news and trends at the intersection of publishing and technology.
Condé Nast has announced the appointment of Katie Drummond as WIRED's global editorial director.
Readly has announced it has signed an agreement with Bonnier News AB and Bonnier Publications AS.
Immediate Media has announced a partnership with MGA Entertainment to publish Rainbow High Magazine.
Hege Lorvik is to lead Adnami’s step into the Norweigan market.
Immediate Media has announced it is running a campaign with Macmillan Cancer Support to subvert the traditional view of a Coffee Morning.
Roland Agambar will be taking on the role of Harmsworth Media CEO.