Bloomberg launches new MVP and Pricing Power Equities indices
Bloomberg says its new indices provide novel approach to factor investing.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Bloomberg says its new indices provide novel approach to factor investing.
Beginning mid-October, The Economist’s full slate of podcasts will be available exclusively to subscribers of The Economist and Economist Podcasts+.
Radio Times celebrates its centenary by naming the 100 most memorable radio and television programmes of the last 100 years.
It has been announced that Chioma Nnadi is to lead all editorial and content production for the title.
Research shows the creative quality of advertising remains a top trust driver, while ad bombardment is most damaging, according to Credos report.
GumGum says Verity is the first contextual provider to be awarded SOC2 compliance.
The company says the partnership builds on InMobi’s sustainability commitments to science-based targets initiative, Givsly, and AdTechCares.
The recently rebranded Guitar.com has announced the launch of a brand new series under the Guitar.com Originals banner: My Guitars & Me.
The Big Issue has announced the appointment of a new news and digital editor, Ryan Butcher, who was previously head of news for PinkNews.
SLAPPs are a scourge on journalism. This week a government taskforce had its inaugural meeting.
Brand Metrics, specialists in campaign measurement, has appointed Cornelia Alvelind as Customer Success Manager as it aims to further strengthen its service to publishers and their advertisers.
impact.com, a partnership management platform, has acquired SaaSquatch, a provider of customer referral software.
Cymru Wales: ‘Wales To The World’ has been announced as the Grand Prix winner of the 2023 World Media Awards.
The UNHCR campaign devised by Jellyfish hacks the most frequently used hashtags on social media to show “Behind our favourite hashtags, another reality.”
Launched in 2003, olive is marking its anniversary with two special issues of olive magazine and a raft of special features online and across social channels.