Hearst launches scholarship scheme
Hearst UK on Friday announced the launch of a talent scholarship sponsored by flatshare site SpareRoom.
Most publishers can now tell you how diverse their workforce is. Fewer can say whether the people they hired are still there five years later, or whether anything changed on the page as a result.
That gap is where the useful work happens. Immediate audited its business, published an ethnicity pay gap report and moved to blind recruitment. News UK rebuilt its intake around apprenticeships rather than graduate schemes, which shifted its gender and ethnicity mix and kept 80 per cent of recruits. Class is the stubborn one: only a small minority of journalists come from lower socio-economic backgrounds, and unpaid internships keep it that way.
If their only chance of promotion is to ape the bosses’ thinking, then your efforts will fail.
Joseph Harker Diversity: more than just a numbers game
Content is the other half. Inclusive coverage has opened up new audiences for some titles, and misjudged coverage has damaged trust for others. Small publishers have shown it doesn't take a big budget to make a start.
The worry now is drift. Industry surveys show diversity slipping down the list of priorities for a third year running, just as publishers chase the younger and broader audiences it would help them reach.
Below you'll find some of our best feature articles on diversity in media, from recruitment, apprenticeships and class to representation, age and inclusive content, alongside our latest news and industry commentary.
Making UK media more diverse is not simply a question of employing more people from different backgrounds. The jobs you give them and the way you treat them is equally important.
The latest AOP CRUNCH event was titled, ‘Investing in the future: How wider perspectives lead to inclusive narratives and engaged audiences’. The AOP’s Richard Reeves picks out the main talking points.
Paying lip service to improved diversity and inclusion is one thing, putting someone in charge of putting it right is another. Ridhi Radia, who was given that role at Immediate Media, explains why ED&I matters and outlines the steps they have taken.
Are we ready to admit it?, asks Mark Hudson. The journalism pipeline is broken. To fix it, News UK is investing heavily in its apprenticeship scheme, which has brought fresh and diverse new talent into the business.
The results are in for the AOP’s annual ‘Digital Publishing: Outlook and Priorities’ survey. Richard Reeves summarises the main findings.
In terms of female representation in the newsroom, progress is being made, but we mustn’t get complacent because there is still lots of work to be done. For a start, says Jem Collins, we need to broaden our definition of diversity and accessibility.
As an industry, we often talk a good game when it comes to diversity but are we putting up barriers to prospective non-middle-class journalists?
Most forms of discrimination are experienced by minority groups; a few by majority groups. But there’s one that could potentially affect all of us and that’s ageism, laments Dickon Ross.
Research suggests that diverse companies are more commercially successful than non-diverse ones. What do publishers need to do to improve their diversity and, thereby, profitability?
Diversity and inclusion should not be an ‘initiative’ but should be hardwired into your everyday. That, writes Ciar Byrne, is the approach taken by Uwern Jong, founder and editor-in-chief of OutThere.
Hearst UK on Friday announced the launch of a talent scholarship sponsored by flatshare site SpareRoom.
Reach plc is creating a new training scheme called Reach Boost designed to improve minority ethnic and social class representation in its newsrooms.
IOP Publishing is proposing to move all its owned journals to double-blind peer review, making it, says the company, the first physics publisher to adopt the approach portfolio-wide.
Grazia has announced the appointments of Candice Brathwaite and Stephanie Yeboah as Contributing Editors.
The Delicate Rébellion has launched a ‘Pay It Forward’ programme offering those who might not usually be able to afford the membership fee, a chance to join its creative community, The Collective.
HuffPost UK has launched Black Voices, a new video series that aims to elevate Black voices and experiences to create empowering conversations about race, society and change in Britain.
The next issue of Time magazine features a special cover project, The New American Revolution, created with artist and producer Pharrell Williams.
Centaur Media has published a six-point pledge to help drive anti-racism, diversity and inclusivity in the industry.
HuffPost UK, part of media technology company Verizon Media, will this week be guest-edited by Black Ballad.
Style magazine has launched an essay competition with The Black Writers’ Guild for aspiring Black fashion and beauty journalists.
ELLE UK has launched a joint initiative with The Social Mobility Commission to find the next generation of creative talent with its first ever mentoring scheme.
The Guardian has announced that it is publishing a black history poster series in the Guardian newspaper documenting key historical moments and the Black Lives Matter movement.
Time Out Group and Instagram has announced a joint partnership to further support small businesses in London and New York.
The 2020 PPA Awards took place on Tuesday. Virtually, of course. James Evelegh watched from his attic…
This week’s issue of Time examines the question of whether America, which has failed to live up to its ideals for 244 years, will answer the call to right its course.