Guardian Foundation appoints Kelly Walls
The Guardian Foundation announced last week that Kelly Walls has been appointed as executive director, effective from 21 October.
Most publishers can now tell you how diverse their workforce is. Fewer can say whether the people they hired are still there five years later, or whether anything changed on the page as a result.
That gap is where the useful work happens. Immediate audited its business, published an ethnicity pay gap report and moved to blind recruitment. News UK rebuilt its intake around apprenticeships rather than graduate schemes, which shifted its gender and ethnicity mix and kept 80 per cent of recruits. Class is the stubborn one: only a small minority of journalists come from lower socio-economic backgrounds, and unpaid internships keep it that way.
If their only chance of promotion is to ape the bosses’ thinking, then your efforts will fail.
Joseph Harker Diversity: more than just a numbers game
Content is the other half. Inclusive coverage has opened up new audiences for some titles, and misjudged coverage has damaged trust for others. Small publishers have shown it doesn't take a big budget to make a start.
The worry now is drift. Industry surveys show diversity slipping down the list of priorities for a third year running, just as publishers chase the younger and broader audiences it would help them reach.
Below you'll find some of our best feature articles on diversity in media, from recruitment, apprenticeships and class to representation, age and inclusive content, alongside our latest news and industry commentary.
Making UK media more diverse is not simply a question of employing more people from different backgrounds. The jobs you give them and the way you treat them is equally important.
The latest AOP CRUNCH event was titled, ‘Investing in the future: How wider perspectives lead to inclusive narratives and engaged audiences’. The AOP’s Richard Reeves picks out the main talking points.
Paying lip service to improved diversity and inclusion is one thing, putting someone in charge of putting it right is another. Ridhi Radia, who was given that role at Immediate Media, explains why ED&I matters and outlines the steps they have taken.
Are we ready to admit it?, asks Mark Hudson. The journalism pipeline is broken. To fix it, News UK is investing heavily in its apprenticeship scheme, which has brought fresh and diverse new talent into the business.
The results are in for the AOP’s annual ‘Digital Publishing: Outlook and Priorities’ survey. Richard Reeves summarises the main findings.
In terms of female representation in the newsroom, progress is being made, but we mustn’t get complacent because there is still lots of work to be done. For a start, says Jem Collins, we need to broaden our definition of diversity and accessibility.
As an industry, we often talk a good game when it comes to diversity but are we putting up barriers to prospective non-middle-class journalists?
Most forms of discrimination are experienced by minority groups; a few by majority groups. But there’s one that could potentially affect all of us and that’s ageism, laments Dickon Ross.
Research suggests that diverse companies are more commercially successful than non-diverse ones. What do publishers need to do to improve their diversity and, thereby, profitability?
Diversity and inclusion should not be an ‘initiative’ but should be hardwired into your everyday. That, writes Ciar Byrne, is the approach taken by Uwern Jong, founder and editor-in-chief of OutThere.
The Guardian Foundation announced last week that Kelly Walls has been appointed as executive director, effective from 21 October.
Incisive Media has launched the Women in Accountancy and Finance Awards 2020, a new opportunity to showcase the achievements of women in the accountancy profession.
heat magazine is to launch heat Style Book, which it says will be the first standalone fashion and beauty title dedicated to celebrating inclusivity and diversity.
The Empire team, celebrating its 30th birthday, has enjoyed its fair share of awards over the years. Although they’re clearly good at what they do, Terri White has no doubt where most of the credit lies – its loyal readers.
‘State of Newsrooms in South Asia’ indicates that newsrooms today are being plagued by a lack of editors, including multimedia editors.
Hearst UK has announced the launch of The Nest, its in-house ideas and talent incubator programme, in China.
British Vogue reveals its ‘Forces for Change’ in the September issue, which is guest edited by the Duchess of Sussex.
Incisive Media have turned their frog logo rainbow to reinforce their commitment to LGBT+ equality and inclusion.
Justine Greening tells the PPA Festival why social mobility matters and what firms can do to help.
Incisive has launched the Women in Insurance Awards, billed as “an exciting new opportunity” to showcase the achievements of women in the industry.
The WAN-IFRA's Women in News Editorial Leadership Award recognises an exemplary contribution of an Editor to her newsroom and society.
A female-led, events and online publishing company is one of the smallest companies to win the Queen’s Award for Enterprise for International Trade 2019.
Lucy Knight, a journalism masters student from City University, was announced, in March, as the winner of the 2019 Hugo Young award.
Journalists often wear their battle scars with pride. Thick-skinned tabloid hacks adopted the Millwall mantra, “no one likes us, we don’t care”. But now, the mood is much darker.
The first Facebook funded Community Reporter in the UK started at Newsquest’s Worcester office on Monday, March 18.