Delivering Quality Journalism
James Evelegh has five recommendations (with a little help from the London Press Club)...
Most publishers can now tell you how diverse their workforce is. Fewer can say whether the people they hired are still there five years later, or whether anything changed on the page as a result.
That gap is where the useful work happens. Immediate audited its business, published an ethnicity pay gap report and moved to blind recruitment. News UK rebuilt its intake around apprenticeships rather than graduate schemes, which shifted its gender and ethnicity mix and kept 80 per cent of recruits. Class is the stubborn one: only a small minority of journalists come from lower socio-economic backgrounds, and unpaid internships keep it that way.
If their only chance of promotion is to ape the bosses’ thinking, then your efforts will fail.
Joseph Harker Diversity: more than just a numbers game
Content is the other half. Inclusive coverage has opened up new audiences for some titles, and misjudged coverage has damaged trust for others. Small publishers have shown it doesn't take a big budget to make a start.
The worry now is drift. Industry surveys show diversity slipping down the list of priorities for a third year running, just as publishers chase the younger and broader audiences it would help them reach.
Below you'll find some of our best feature articles on diversity in media, from recruitment, apprenticeships and class to representation, age and inclusive content, alongside our latest news and industry commentary.
Making UK media more diverse is not simply a question of employing more people from different backgrounds. The jobs you give them and the way you treat them is equally important.
The latest AOP CRUNCH event was titled, ‘Investing in the future: How wider perspectives lead to inclusive narratives and engaged audiences’. The AOP’s Richard Reeves picks out the main talking points.
Paying lip service to improved diversity and inclusion is one thing, putting someone in charge of putting it right is another. Ridhi Radia, who was given that role at Immediate Media, explains why ED&I matters and outlines the steps they have taken.
Are we ready to admit it?, asks Mark Hudson. The journalism pipeline is broken. To fix it, News UK is investing heavily in its apprenticeship scheme, which has brought fresh and diverse new talent into the business.
The results are in for the AOP’s annual ‘Digital Publishing: Outlook and Priorities’ survey. Richard Reeves summarises the main findings.
In terms of female representation in the newsroom, progress is being made, but we mustn’t get complacent because there is still lots of work to be done. For a start, says Jem Collins, we need to broaden our definition of diversity and accessibility.
As an industry, we often talk a good game when it comes to diversity but are we putting up barriers to prospective non-middle-class journalists?
Most forms of discrimination are experienced by minority groups; a few by majority groups. But there’s one that could potentially affect all of us and that’s ageism, laments Dickon Ross.
Research suggests that diverse companies are more commercially successful than non-diverse ones. What do publishers need to do to improve their diversity and, thereby, profitability?
Diversity and inclusion should not be an ‘initiative’ but should be hardwired into your everyday. That, writes Ciar Byrne, is the approach taken by Uwern Jong, founder and editor-in-chief of OutThere.
James Evelegh has five recommendations (with a little help from the London Press Club)...
At the London Press Club debate, James Evelegh hears six things he didn't necessarily want to hear.
The Association for Online Publishing has announced entries for its flagship annual awards, which include a new category, are now open.
Hearst UK has partnered with the Cambridge School of Visual and Performing Arts (CSVPA) to build upon its existing relationship to provide two fully-funded scholarships.
The Financial Times yesterday announced the appointment of Priscilla Baffour as its global head of diversity and inclusion. She will start in the newly created role in March.
Cosmopolitan has announced a competition in partnership with flatshare site SpareRoom to offer four individuals a month-long paid scholarship with central-London accommodation included.
Bauer Media’s weekly fashion title, Grazia, is to publish two different covers on Tuesday 18 September to coincide with London Fashion Week. The purpose of the covers is to challenge issues of inclusion and diversity in the fashion industry.
The Telegraph is launching an initiative to celebrate diversity in the advertising world.
The new issue of The Guardian Weekend, out 11 August, will be taken over by gal-dem, an online and magazine collective representing women and non-binary people of colour.
Stylist has partnered with actor Gemma Chan to launch Under Her Eye, a campaign aimed to shine a light on female film reviewers.
Scottish Wedding Directory has released a cover shoot featuring two brides and two grooms for a split-run cover on its summer issue.
Shortlist Media yesterday unveiled its redesigned corporate website.
In early June, Future announced that Zillah Byng-Thorne, Chief Executive has pledged her support of the Ascent CEO promise, an initiative which outlines actions required by organisations and companies to create an inclusive and equitable workplace.
During the 70th WAN-IFRA’s annual congress in Estoril, Portugal, Lisa MacLeod, Head of Digital at Tiso Blackstar Group, South Africa, was elected Vice-President of the World Association of Newspapers and News Publishers.
Dozens of delegates at the International Federation of Journalists (IFJ) gender council conference - from Asia to the Americas and Europe to the Middle East – have issued a global call for action to address the violence, poverty and discrimination fa