Allure store opens its doors in NYC
Condé Nast’s US beauty brand – Allure – has opened the Allure Store, a new experiential retail store, on New York City’s Lafayette Street.
Events have become one of the most valuable things a publisher runs. For many B2B publishers they now bring in more than half of all revenue, and consumer brands are filling exhibition halls with readers who want to meet the magazine in person.
Publishers start with an advantage that pure event companies lack. They already know the audience and have the editorial credibility to build a programme people want to attend. What separates a successful show from an expensive one is mostly discipline, from planning a year ahead to securing next year's exhibitors before this year's have packed up.
Those publishers who never stopped investing in editorial now have a large competitive advantage.
Tim Willoughby Putting on successful events in 2023 and beyond
In-person is firmly back, and hybrid has settled into a supporting role. The bigger opportunity is turning a one-off event into a year-round community, with membership, content and data that earn money between shows.
Technology is changing the back office as well. emap now uses AI agents for awards feedback and for scripting that used to take a full day.
Below you'll find some of our best feature articles on events for publishers, from conferences, awards and trade shows to sponsorship, consumer shows and event technology, alongside our latest news and industry commentary.
Strengthening bonds with subscribers, making them feel special and giving them opportunities to spend money is at the heart of Good Housekeeping Live, as Ciar Byrne discovered when she attended in November.
The events sector has been on a rollercoaster ride these past few years and the nature of events and what commercial partners and visitors expect from them has changed. What do event organisers need to do to ensure a successful future?
The live events sector has recovered well from the trauma of the pandemic but is having to adapt to a range of new challenges and opportunities. Jim Bilton looks at where the sector is heading.
A successful trade show is one that you can repeat year after year and that means starting to plan next year’s event before the doors for this year’s have even opened, says Tim Willoughby, managing director of MA Exhibitions.
Two of the things conference attendees most want are actionable insights and networking opportunities, says Simone Broadhurst, group event director at emap.
In many sectors, the gender balance still isn’t right, which means that women are often not getting the recognition they deserve One way to address this is to launch women’s awards events, says Simone Broadhurst.
Organisers are increasingly focused on making money in between their events by offering a range of paid-for services. Carolyn Morgan examines some case studies of successful ventures and offers ten tips to organisers looking to do something similar.
Steve Russell, director at Fusion Events, tells us what best practice looks like in the world of event organisation.
Right now, says Robin Booth, most of us use AI like a very clever search engine or copy assistant. That’s fine but the real power comes when we start building systems.
Condé Nast’s US beauty brand – Allure – has opened the Allure Store, a new experiential retail store, on New York City’s Lafayette Street.
Demand for health and fitness content grew hugely during the pandemic. The challenge for publishers was how to meet that demand when existing routes to market were hit by lockdown. Hearst UK’s Matt Hayes tells us what they did.
Welcome to our first publishing workflows special, an extended feature taking an in-depth look at all aspects of the content creation process. All of the insights and opinions come from leading suppliers of publishing software & from senior editors.
Many were forced to pivot real-world events to virtual ones in 2020. But don’t mistake this for a temporary switch advises Ivor Eisenstadt, founder and managing director of healthcare publisher MGP.
The last few years has seen a subtle but significant shift at The Economist, as the publisher has adopted a more product-led, outcome-driven approach. Meg Carter finds out more from Chief Product Officer Deep Bagchee.
Dezeen has enjoyed a meteoric rise since its launch in 2006. Meg Carter looks at its continuing success and the principles underpinning it.
The pandemic has forced many publishers, large and small, to re-evaluate their business models and find new ways of making money. Carolyn Morgan looks at what we can learn from the activities of six publishers.
If the word of 2020 was ‘pivot’, then the word of 2021 has got to be ‘hybrid’.
The 2021 FTWeekend Festival will return in-person on September 4 with a theme of ‘Reawakening: Imagining a post-pandemic world’.
Michael R. Bloomberg has announced the inaugural class of Bloomberg New Economy Catalysts: a new global community of public and private sector innovators and entrepreneurs.
White House Press Secretary Jen Psaki and BBC Director-General Tim Davie are among a host of global media figures appearing at FT Live’s ‘Future of News’ event on Thursday 10 June.
With The Publishing Show taking place later this month, we grab five minutes with Julian Agostini, MD of organisers Mash Media, to get his views on where the publishing sector is heading.
Can’t wait to get back to in-person events but don’t want to abandon all those people who have been attending your virtual events? Hearst UK has the answer…
The Financial Services Forum has swiftly responded to the easing of UK Covid-19 restrictions by running its first face-to-face event in 14 months.
Wired global editorial director Gideon Lichfield has announced the appointment of Greg Williams to the role of deputy global editorial director.