LinkedIn launches virtual live events platform
LinkedIn is rolling out a virtual live events platform, initially offering a Clubhouse-like audio-only service.
Events have become one of the most valuable things a publisher runs. For many B2B publishers they now bring in more than half of all revenue, and consumer brands are filling exhibition halls with readers who want to meet the magazine in person.
Publishers start with an advantage that pure event companies lack. They already know the audience and have the editorial credibility to build a programme people want to attend. What separates a successful show from an expensive one is mostly discipline, from planning a year ahead to securing next year's exhibitors before this year's have packed up.
Those publishers who never stopped investing in editorial now have a large competitive advantage.
Tim Willoughby Putting on successful events in 2023 and beyond
In-person is firmly back, and hybrid has settled into a supporting role. The bigger opportunity is turning a one-off event into a year-round community, with membership, content and data that earn money between shows.
Technology is changing the back office as well. emap now uses AI agents for awards feedback and for scripting that used to take a full day.
Below you'll find some of our best feature articles on events for publishers, from conferences, awards and trade shows to sponsorship, consumer shows and event technology, alongside our latest news and industry commentary.
Strengthening bonds with subscribers, making them feel special and giving them opportunities to spend money is at the heart of Good Housekeeping Live, as Ciar Byrne discovered when she attended in November.
The events sector has been on a rollercoaster ride these past few years and the nature of events and what commercial partners and visitors expect from them has changed. What do event organisers need to do to ensure a successful future?
The live events sector has recovered well from the trauma of the pandemic but is having to adapt to a range of new challenges and opportunities. Jim Bilton looks at where the sector is heading.
A successful trade show is one that you can repeat year after year and that means starting to plan next year’s event before the doors for this year’s have even opened, says Tim Willoughby, managing director of MA Exhibitions.
Two of the things conference attendees most want are actionable insights and networking opportunities, says Simone Broadhurst, group event director at emap.
In many sectors, the gender balance still isn’t right, which means that women are often not getting the recognition they deserve One way to address this is to launch women’s awards events, says Simone Broadhurst.
Organisers are increasingly focused on making money in between their events by offering a range of paid-for services. Carolyn Morgan examines some case studies of successful ventures and offers ten tips to organisers looking to do something similar.
Steve Russell, director at Fusion Events, tells us what best practice looks like in the world of event organisation.
Right now, says Robin Booth, most of us use AI like a very clever search engine or copy assistant. That’s fine but the real power comes when we start building systems.
LinkedIn is rolling out a virtual live events platform, initially offering a Clubhouse-like audio-only service.
Gold Key Media this week announced two new senior appointments within their Publisher Brand team, as the business continues to evolve its range of specialist audience engagement activities.
James Evelegh pays tribute to event organisers everywhere.
The awards were announced last week at a black-tie awards ceremony at Òran Mór, in Glasgow, with all the finalists and judges in attendance.
Edinburgh-based independent print magazine Delicate Rébellion has opened their new bricks and mortar store and creative event space in the heart of the city.
Regularly talking and listening to your audience is the foundation stone of a strong community.
Successful communities need managing. You can’t just leave members to “get on with it”, because… they won’t.
Creating a successful community is a great way to find out what your customers really want.
Condé Nast has announced the appointment of its first ever SVP, Global Head of Events, Patrick Garrigan.
The Evening Standard has released details of its line-up of events for 2022, which includes the return of the Evening Standard Theatre Awards.
Marie Claire UK and Marie Claire US have joined forces to showcase their initiatives highlighting female empowerment.
Bloomberg.com will lift its paywall for Bloomberg Green and provide all of its content for free from November 1 through November 12.
NewstrAid, the charity which supports people working in the sale and distribution of newspapers and magazines in the UK has announced the return of its live Christmas Carol Service.
Hemming Group has been contemplating content monetisation for some time now, but the pandemic has pushed it up the to-do list. As Nick Service tells Meg Carter, it’s a gradual process with a number of sector-specific strategies in play.
Having a crystal clear view of who your audience are, what they want and what they need, and then being prepared to champion causes on their behalf, is at the heart of Hattie Brett’s approach to editing, as the Grazia editor tells Ciar Byrne.