Time Out and Uber Eats collaborate
Uber Eats has announced a collaboration with Time Out London on a new, long-term multi-platform campaign developed by Time Out’s creative solutions team.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Uber Eats has announced a collaboration with Time Out London on a new, long-term multi-platform campaign developed by Time Out’s creative solutions team.
The winners of the BSME Talent Awards were announced last week in Covent Garden, London.
Ad tech company Adnami has unveiled a new metric – Adnami Attention Score – designed to measure attention in high impact advertising.
The British Vogue editor-in-chief will become editorial advisor in 2024.
To support struggling parents during the cost-of-living crisis, Fabulous is launching Baby, Bank On Us, in partnership with Save the Children, Little Village and baby banks across the UK.
NME Networks has announced the sale of Uncut to Kelsey Media. The deal includes the brand’s print publications, social and digital assets.
Drive.com.au has announced a partnership with adaptive streaming technology company, SeenThis, to deliver its latest brand campaign whilst minimising its digital carbon footprint from creative delivery.
Mats Brandt steps down as Group CEO of Readly International AB with Philip Lindqvist appointed as new CEO.
NME have underlined their commitment to emerging talent with the relaunch of their flagship editorial property The Cover.
YOU Magazine’s editor says new hires ‘will add fresh energy to digital and print platforms.’
Domino’s has completed its first contextual and attention-powered campaign with GumGum and Playground xyz.
The winners of the ACE Newspaper and Magazine awards were announced last week at the awards ceremony hosted at the London Marriott Grosvenor Square.
Atex has announced that The Jewish Chronicle has adopted Desk and the Atex headless Web CMS to build a unified content workflow.
Anthem Publishing has announced the promotion of Sally FitzGerald to deputy managing director.
Condé Nast Traveller UK launched a new accessibility package on 18 May 2023, to coincide with Global Accessibility Awareness Day.