The Stationers’ Company elects Tony Mash
The Stationers’ Company has announced the election of Tony Mash as Master.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Stationers’ Company has announced the election of Tony Mash as Master.
How many copies should you print and which shops should you put them in? Getting this right is key to maximising sales and minimising waste. We grab 5 mins with Marketforce’s Stewart Gillett to ask how publishers can improve their copy allocation.
Industry owned auditor ABC has completed a methodology audit for Q83, an Australian based tech company delivering transparent reporting for the social media and influencer marketing industry.
The Daily Mail & General Trust (DMGT) has announced it has made a strategic investment in What on Earth Magazines Ltd.
Bauer Publishing UK has named Lisa Sinclair as its new group editor for its celebrity portfolio.
PinkNews is the only publisher included in The Sunday Times’ 100 fastest-growing privately-owned British businesses list.
Confectionery brand Werther's Original and Immediate Media have announced an exclusive multi-platform campaign.
The PPA have announced the winners of the PPA Awards 2023.
Freeda has announced the appointment of Jamie Jouning as global CRO and UK country manager.
Condé Nast Traveller has revealed the winner of the Future of Travel talent competition.
The People’s Friend has appointed editor and journalist Stuart Johnstone to lead the title.
Ozone has announced the launch of ECOzone to quantify carbon impact at campaign level.
The World Media Group has announced the shortlist for the 2023 World Media Awards (WMAs), which showcase some of the best in international content-driven, cross-border advertising.
The adaptive streaming tech platform and the global integrated ad specialist will enable emissions minimization and increased efficiency for clients’ campaigns.
This headline – meant to be sung to the tune of “Old McDonald Had a Farm” – is inspired by publishers’ growing, and totally valid, angst around chatbots’ implications for the business, says US columnist Karlene Lukovitz.