SeenThis launches Emissions Dashboard
Clients can now measure data transfer and related carbon footprint, with performance insights, at creative, campaign and agency level.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Clients can now measure data transfer and related carbon footprint, with performance insights, at creative, campaign and agency level.
GQ Heroes has announced that it will return to Soho Farmhouse for 2023 and has revealed confirmed speakers.
History fans have the chance to put their questions to experts in the HistoryExtra podcast series Everything You Wanted to Know About… covering a vast array of historical topics and eras.
Argonon branded content label Nemorin appoints Darren Smith as chief content officer.
Immediate Media Co has announced the appointment of a new food MD and people director, strengthening its leadership capabilities in key strategic functions.
Publishers have to work hard to convince brands to spend their advertising budgets with them. A key part of this is being able to demonstrate brand uplift whatever the size of the campaign.
Future has announced the appointment of Eric Harris as chief operating officer.
Ozone has announced a new partnership with special interest publisher Our Media.
SeenThis has announced the launch of segment-by-segment optimization technology for display advertising in its latest iteration.
Lumen says it is the first company to be assessed by the global consulting firm PwC on the ROI of attention technology.
Immediate Media Co has been appointed as global licensing agent by New Scientist.
The lastest Advertising Association / WARC Expenditure Report shows inflationary pressures persist with minimal growth forecast for 2023.
The AOP have announced the finalists for the 2023 Digital Publishing Awards.
Media Voices have revealed the winners of 2023's Publisher Podcast Awards.
LGBTQ+ people frequently face negativity in some parts of the media. What can be done about it?