Readly partners with Currys
Readly has announced a partnership with Currys to provide consumer tech shoppers with unlimited digital reading.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Readly has announced a partnership with Currys to provide consumer tech shoppers with unlimited digital reading.
After more than eight years, 47 columns and 282 titles, Spotlight will no more be shining its light into magazine corners. In this final column, Alan Geere selects his favourite Spotlight titles and how they feature in his own personal journey.
After 15 years at HELLO!, Rosie Nixon is taking on a new part-time role. Here, she tells us about her new role and its focus on amplifying important but often neglected women’s issues and why she’s looking forward to a healthier work / life balance.
Video gives publishers the opportunity to tell their story in different ways and extend their reach. Ciar Byrne talks to British Vogue’s Minnie Carver about their strategy and their different approaches to YouTube and TikTok.
The New Scientist is a subs success story. During the pandemic, the title boasted double-digit acquisition growth, but when growth began to slow, it became clear that a new strategy was needed.
Adnami has announced the appointment of Ryan Burnett as UK sales director and Bjørn Laffrenz Bukholt as head of programmatic & ad ops.
At the end of March, the PPA published the shortlist for its annual awards.
Enthuse Group has acquired Aceville Publications from DC Thomson.
Adding to the Collections puzzle range, Take a Break has announced it is launching a new title, Arrowwords Collection.
Programme Monthly & Football Collectable have announced they are offering digital access to subscribers via Exact Editions’ Universals Service.
whynow Media has announced the acquisition of Rock Sound, strengthening the brand’s music offering.
Tripwire magazine has announced that its print edition will increase in frequency by going quarterly from May 2023.
After eight years, gal-dem has announced that it will be closing.
The strategic partnership between Wired Consulting and J.P. Morgan Payments continues with second volume of Payments Unbound.
Immediate Media Co has announced its first partnership with a beauty brand – Liz Earle Beauty.