IAB launches campaign
The IAB’s new ad campaign urges advertisers to ‘shelve the silverware’ & demand the IAB Gold Standard.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The IAB’s new ad campaign urges advertisers to ‘shelve the silverware’ & demand the IAB Gold Standard.
Telegraph Media Group has announced the acquisition of The Chelsea Magazine Company, an independent publisher of lifestyle content.
Film journal A Rabbit's Foot has announced the launch of a complete digital archive available for subscription.
Future announced in March the appointment of Keith Hernandez as vice president, technology sales.
Bristol-based Our Media has announced it has entered a new corporate partnership with West of England Centre for Inclusive Living.
Chelsea Magazines has announced the release of a special edition of BRITAIN magazine: Crowning of the King.
eMagazines has announced the launch of its upgraded StoryFinder service for publishers.
Three years of rising costs has put strain on the printer / publisher relationship. We grab some time with Acorn Web Offset’s Matt Carry to look at the current state of play and the outlook for the future.
Atex Global Media has announced the release of generative AI capabilities in its image editor, Matik.
Last week Ace revealed the short list for its forthcoming Newspaper and Magazine Awards.
Condé Nast Traveller has announced the launch of their future of travel talent competition, designed to discover and spotlight the next generation of travel writers.
impact.com has announced the appointment of Michelle Denman as new chief people officer to lead people growth and excellence.
whynow Media has announced the launch of whynow Gaming with former Wireframe editor Ryan Lambie at the helm.
Puzzler Media have announced they are saying farewell to their kids’ puzzle magazine Quiz Kids and launching their new children’s puzzle magazine Puzzler KIDS Collection.
Contextual first advertising platform GumGum say they have enhanced their ad exchange to incorporate an accredited brand safety solution on every impression.