Acast announces winners of Amplifier programme
‘Stacked’, ‘Memories From The Dancefloor’ and ‘Call Me Disabled’ podcasts have been announced as winners of Acast’s Amplifier programme.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
‘Stacked’, ‘Memories From The Dancefloor’ and ‘Call Me Disabled’ podcasts have been announced as winners of Acast’s Amplifier programme.
Air Business, a distribution, fulfilment and subscriptions management company, has announced it will be providing a new home for the key client base of IMX, who specialise in e-commerce fulfilment and distribution.
VeraViews has announced that it has delivered a third-party developed ad-support plugin for the Brightcove Web Player.
Puzzler magazine is celebrating 50 years since its launch in 1972 with the launch of limited-edition bookazine Puzzler Presents…Puzzler GOLD.
Signature Publishing has announced the launch of Adventures With Gabby’s Dollhouse magazine, based on DreamWorks Animation’s TV series on Netflix and toy brand Spin Master.
The Australian newsstand weathered the pandemic well with strong sales reported during the peak of the pandemic. Marketforce’s Danielle Gannan believes there is still more potential for UK publishers to unlock in the market.
Danny Groom has been appointed publisher and editor of MailOnline.
Parenting magazine, Project Baby, has announced that the title will be available to purchase nationwide for the first time.
impact.com, a partnership management platform, has announced the appointment of Ning Wang to its board of directors.
Gramophone launched its latest 100-page special edition - on the works of romantic composer Mahler - on 27 July, making it the latest in a series of spin offs for Mark Allen Group’s music division.
Bauer Media Publishing UK appoints Josh Colley as new head of corporate communications, publishing UK, reporting into Chris Duncan.
Boutique adtech PR agency The Digital Voice grows its team by eight as it builds out its marketing, events and multimedia teams.
Air Business, a global distribution, fulfilment and subscriptions management company, has announced several changes to its senior management team.
James Evelegh picks out some takeaways from the July / August issue of InPublishing magazine.
Acast announces a further ad sales agreement with The New York Times — including “This American Life” and “Serial”.