Future appoints Claire Blunt
Future plc, a global platform for specialist media, has announced the appointment of Claire Blunt as chief operating officer.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Future plc, a global platform for specialist media, has announced the appointment of Claire Blunt as chief operating officer.
Heavy Metal, a sci-fi, fantasy, and horror entertainment company, has teamed up with UK pop culture outlet Tripwire to publish 30th anniversary book.
Acast has announced the full line-up for Acast United, its grassroots football podcast development programme and new football podcast advertising package.
Filmmaker, a publication of The Gotham Film & Media Institute, has digitised its archive of print issues in collaboration with publisher services company, Exact Editions.
The World Media Group, an alliance of global media organisations united in championing trusted journalism, has announced its 2022 World Media Awards winners, including Johnnie Walker as the Grand Prix winner.
According to i-D, the fall issue celebrates print as a cultural time capsule, and how fashion can both reflect and subvert the zeitgeist.
Time Out has announced that Rob Biagioni will join as managing director sales UK as the business strengthens its media division.
Whether it is via podcasts or text-to-speech, listening is becoming an increasingly popular way to consume publisher content. We grab five minutes with Chris Couchman, head of content at Readly, to explore the audio opportunity.
Cosmopolitan has seen considerable growth in its social audience over the last few years. How did they do it?
GumGum have announced that SAP has increased brand awareness using GumGum’s ad formats and Verity, GumGum’s contextual targeting solution.
Poool and Edisound have established a product partnership which aims to convert podcast listeners into members and subscribers.
Dubai World Trade Centre and dmg events have announced a partnership to create a new portfolio of global events for the food and hospitality sectors.
Future Plc announced the launch of ‘Operation: Future Gives Back’ in early August, an initiative that explores charity efforts happening across its global network.
Anthem Publishing has completed the acquisition of Prime Impact’s vegan and plant-based magazines and websites comprising Vegan Life, PlantBased and B2B brand Vegan Trade Journal.
Findmypast announced in August a new partnership with Code First Girls (CFG), a UK-based social enterprise that provides technology training for women, to help tackle the UK’s gender gap in technology skills.