Dailymotion and Quintype partner to empower Publishers
This partnership will help publishers search and embed video assets from Dailymotion’s catalogue of more than 2,000 content partners through Quintype’s Bold CMS.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
This partnership will help publishers search and embed video assets from Dailymotion’s catalogue of more than 2,000 content partners through Quintype’s Bold CMS.
Alexa SVP Tom Taylor told a conference Amazon wants users to spend less time talking to the voice assistant, saying that the future of consumer technology is ambient intelligence.
Glide Publishing Platform has rolled out a new fully integrated collaborative Live Reporting toolset into its cloud-native SaaS headless CMS.
Following Readly’s acquisition of Toutabo, the digital subscription service ePresse has unveiled a new co-branded name and logo.
DC Thomson’s latest addition to its growing podcast portfolio, My Weekly’s Magical Flying Bookshop.
US betting companies FanDuel and DraftKings have reportedly submitted bids for subscription sports news group The Athletic, two months after it hired investment bank LionTree to explore its options.
Apple has asked a US court to stay a ruling which would enable app developers to link to third-party payment options within the App Store.
The Ozone Project has released the new findings of a study by attention technology company Lumen Research, that quantifies the impact of quality publisher content on display and video advertising.
Aquila announced yesterday that it had completed the acquisition of Jaicom Oy through its subsidiary Atex Media Limited.
Acast, a podcast platform, has announced that ‘The Stand with Eamon Dunphy’ podcast has joined the Acast Creator Network.
Yesterday, the first of The Big Issue’s completely new-look magazines went on sale. The redesign marks 30 years of publication.
YouTube has hired its first podcast executive, long-time YouTube staffer Kai Chuk, after a month-long search.
Publisher’s Toolbox have announced the latest extension to their service offering – the PT Engagement team – designed to power deeper digital fan connections.
Storytime, a monthly magazine for primary school children focusing on literacy, announces that it will now be available in Mandarin and distributed throughout the Chinese market.
Future plc announced earlier this month that Barcroft Studios has now rebranded as Future Studios.