Paul Keenan and Gerald Mai appointed to Bauer executive board
With Veit Dengler, Bauer’s COO, leaving the company at the end of the year, Yvonne Bauer has appointed Paul Keenan and Gerald Mai to the executive board.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
With Veit Dengler, Bauer’s COO, leaving the company at the end of the year, Yvonne Bauer has appointed Paul Keenan and Gerald Mai to the executive board.
Social Streets C.I.C is launching a new magazine called The Slice, a publication dedicated to the London borough of Tower Hamlets.
MPP Global, subscription and billing specialists, has been acquired by Aptitude Software Group, a specialist provider of finance transformation and automation software.
Air Business, a global distribution, fulfilment and subscriptions management company, has released its greenhouse gas emission and energy use figures.
Marie Claire UK and Marie Claire US have joined forces to showcase their initiatives highlighting female empowerment.
While publishers have a sophisticated approach to managing their audience data, this is often not the case when it comes to managing their affiliate & partner marketing, writes Trackonomics' Hanan Maayan.
Short termism is a perennial problem in ad sales. Someone senior dreams up a new thing to sell and directs their sales team to get straight on the phone to sell, sell, sell. This approach doesn’t always fail, but there is a better way...
Fox, the Murdoch-owned US broadcaster, plans to increase its investment in blockchain technology by introducing more NFTs (non-fungible tokens) and digital collectibles for its shows and franchises.
Immediate Media Co yesterday announced that Charlotte Smith has been appointed as Editor for BBC Music Magazine.
Condé Nast has announced the appointment of Deborah Joseph as European Editorial Director of Glamour.
impact.com, a partnership management platform, has announced that HubSpot veteran Kim Walsh has joined the company as Chief Growth Officer.
The Big Issue has launched a digital campaign calling for public support for the 1,300 vendors across the UK who are facing high streets with reduced footfall due to the ongoing effects of the pandemic.
Collingwood Advisory has appointed Debra Chipman as Vice President, North America, strengthening its team of entrepreneurs and strategic advisers.
Grazia has partnered with Boots to launch a new campaign centred around sustainable beauty, with the aim of encouraging women to better understand how to incorporate sustainable beauty routines.
Apple charges 30% on in-app transactions, but Facebook says it has found a way for creators to circumvent this “tax”.