Dorothy celebrates golden anniversary with DC Thomson
Dorothy Andrews is celebrating being DC Thomson’s longest serving employee as she marks 50 years with the company.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Dorothy Andrews is celebrating being DC Thomson’s longest serving employee as she marks 50 years with the company.
Keesing Media UK, a publisher of puzzle magazines, has signed a long term retail distribution contract with Marketforce.
ES Magazine, the Evening Standard’s weekly lifestyle and culture magazine, has unveiled a unique digital NFT artwork.
The new look Big Issue website and digital editorial strategy aims to make BigIssue.com a destination site for anyone affected by or concerned about the most important social issues affecting Britain.
The Association of Online Publishers celebrated the digital publishing industry’s top talent in a combined virtual and in-person awards ceremony.
The Evening Standard has announced the appointment of Ben Cobb as Editor of ES Magazine, across the newsprint edition and its digital platforms.
People, processes, and technology are critical success factors in business transformation. Get them in sync and you’ll be ready to deliver work faster, more efficiently, and at scale, writes WoodWing CEO, Ross Paterson.
TIME has revealed the 2021 TIME100, its annual list of the 100 most influential people in the world.
Express KCS, a production outsourcing specialist, has rebranded as EKCS.
A year on from its first Future Of Work survey, Marie Claire UK has once again partnered with LinkedIn to produce research on UK working women and the future of the workplace.
Marie Claire UK has expanded its shopping site, The Marie Claire Edit, to include a new resale platform for “pre-loved” fashion, The Marie Claire Vintage Edit, in partnership with garment care brand Vanish.
Last week, Zephr, a leading subscription experience platform, announced that Birger Soiland is joining the organisation to help scale their commercial teams.
Established with the mission to increase diverse and inclusive influencer representation in the UK media, Reflect, a ‘not for profit’ D&I influencer talent management agency, will launch 16 September.
The intelligent platform allows advertisers to access Future’s rich first-party audience data captured across its portfolio of brands, helping them reach high-intent target audiences.
Cavai, a leading conversational advertising platform, has announced the appointment of Attique Rehman who joins the business as Group Agency Director.