Magma Poetry Launches Complete & Fully-Searchable 27-Year Archive
Poetry magazine Magma Poetry has completed the digital archive to encompass every issue dating back to 1994 on the Exact Editions platform.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Poetry magazine Magma Poetry has completed the digital archive to encompass every issue dating back to 1994 on the Exact Editions platform.
The New European weekly newspaper has launched their new website on Pugpig Site.
First Mailing has invested in the latest environmentally friendly direct mailing solution, paper wrapping.
Exponent has reached an agreement to sell Dennis, an international media group and publisher of The Week in the US and the UK, to Future plc for a purchase price of £300m.
Online criminals who offer stolen movies, TV shows, games, and live events through websites and apps are reaping $1.34 billion in annual advertising revenues, according to new research from the Digital Citizens Alliance and White Bullet.
Readly has added the UK's first magazines aimed at representing black children to its platform.
The Ozone Project, the publisher-owned digital advertising platform, has announced the launch of Ozone Ad Manager, a new audience insights dashboard and campaign planning tool.
The ABC has released the consumer magazine circulation results for the January – June 2021 period and publishers have responded with their interpretation of the figures.
Signature's changing-themed magazine for pre-school children, ‘Adventures with’, continues with its latest issue, Adventures with Chuggington, under license from Herschend Entertainment Studios.
The New Statesman has announced two new senior hires to its growing international team under Jeremy Cliffe.
On 1st July, VAT and duty regulations relating to the movement of goods (including magazines) into EU member states from countries outside the EU, changed. Air Business’s Adam Sherman looks at the implications for publishers.
Ahead of the return of the new football season, Reach yesterday announced that they have published pre-season guides covering 41 football clubs across the UK.
Signature has teamed up with animation studio Aardman to launch ‘Colour It! Aardman: Get Crafty magazine’, marking the first time that all of the Aardman characters will be brought together.
ELLE is kicking off their annual mentoring scheme with the September issue, marking their commitment in opening the door to a more inclusive new generation of creative talent.
Tim Ross is joining the New Statesman as Executive Editor, Politics in September.