Adnami announces two senior appointments
Emelie Malmquist will be joining Adnami, an adtech company, as the new Head of Marketing and Automation and Steph Miller has been promoted to Managing Director UK.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Emelie Malmquist will be joining Adnami, an adtech company, as the new Head of Marketing and Automation and Steph Miller has been promoted to Managing Director UK.
A recent survey by YouGov for Readly has shown that despite the evidence that reading is essential for children’s development, reading to children is not a priority for many parents and caregivers in the UK.
Signature Publishing launches Adventures with… Vlad & Niki based on the global pre-school YouTubers, Vlad & Niki.
Yesterday, the PPA unveiled its ‘30 Under 30’ list of rising stars in the publishing industry.
Car Throttle recently hit 3m YouTube subscribers. James Evelegh looks at the secret of their success.
Luxury fashion and culture magazine Numéro Netherlands has created a new digital edition in partnership with digital platform Exact Editions.
Nick de Semlyen has been appointed Editor of Bauer Media’s flagship film and entertainment brand, Empire, promoted from Deputy Editor.
Good Health, Wellbeing & The Great Outdoors has appointed JJ Stenhouse as its new editor and unveiled its new larger format.
Major improvements to the way Autovia connects its audiences with car makers, dealers and other industry professionals have been announced.
Forbes and Magnum Opus Acquisition have announced that they have entered into a definitive business combination agreement.
James Evelegh shares his latest reading material, a harrowing book by Sunday Times journalist Christina Lamb.
The way publishers create, manage and distribute content is changing rapidly. How can publishers avoid getting left behind? We grab five minutes with Tom York, general manager at Atex, to find out.
To spearhead the organisation’s expansion in Sweden, Marcus Ericson has been appointed Country Manager.
Digital publishing revenues in the UK increased to £152 million in Q1 2021, up by 31.9% in comparison to Q1 2020, according to the latest Digital Publishers’ Revenue Index from AOP & Deloitte.
Cavai, a conversational advertising platform, has raised £6.5M from a range of prominent investors including venture players, Investinor and Idekapital, and ad tech industry specialist FirstPartyCapital.