Autovia appoints Chief Product Officer
Autovia, an automotive content and commerce business, has hired Dan Cohen as its first Chief Product Officer.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Autovia, an automotive content and commerce business, has hired Dan Cohen as its first Chief Product Officer.
Forgotten how to dress up to go out? Never fear, the fashion magazines are out there to help you. Alan Geere braves the catwalk.
Too many publishers, PSC’s Laurence Cope tells James Evelegh, are managing their advertising sales using tools that are not fit for purpose. This means, he says, that they are making life unnecessarily difficult for themselves.
Women in midlife are one of the most neglected markets in the media. Why has no-one listened to them until now? Laura Silverman speaks to Noon founder Eleanor Mills.
The onset of the pandemic put the cycling title in deep peril, but as Andy McGrath tells Meg Carter, the rethink and new direction that it prompted has opened up exciting new opportunities.
Jim Bilton sizes up the US publishing market and assesses the growth opportunities for UK publishers.
Jess Burney, managing director, direct marketing and business development, Immediate Media Co, tells Ciar Byrne about how the consumer media sector is managing the digital transformation journey.
Future has announced the launch of a Canadian division as part of its focus on expansion across the Atlantic.
Annual digital subscriptions to the complete archive of food history journal Petits Propos Culinaires (PPC) are now available through publishing platform Exact Editions.
Kevin McCormick, Managing Director of Kelsey’s Lifestyle Group has announced a number of recent key appointments.
Printing and distributing a magazine can be a daunting challenge for independent publishers. There are so many things to get right. We grab five minutes with CPUK Print Publishing’s Michael Chinnery to get his top tips.
Branded content campaigns are an increasingly important revenue stream for publishers, but proving their effectiveness has been problematic, writes Sean Adams, global insight director at Brand Metrics. That is, up until now…
Wickes and Bauer Media are this year celebrating ten years of working together with a new booking that comprises activity across Bauer’s radio and magazine brands.
The new monthly pre-school magazine, published by Story House Egmont, launched on 21st July.
The Professional Publishers Association (PPA) yesterday announced that Sajeeda Merali has been appointed as its new Chief Executive Officer.