HistoryExtra celebrates 100,000,000 listens
BBC History magazine is celebrating a milestone as its HistoryExtra podcast has received more than 100,000,000 listens.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
BBC History magazine is celebrating a milestone as its HistoryExtra podcast has received more than 100,000,000 listens.
Grazia has conducted a new research study into women to better understand their current mindset, changing consumer behaviour, new priorities and attitudes to media and brands.
To create a real sense of community and better reflect society at large, magazine editors need to be proactive.
Some of the UK’s best known auto content and ecommerce brands are now under the roof of a new, combined business, unlocking, say the publishers, further growth for the sector as it rapidly embraces digital.
Future plc has announced a consolidation of magazine verticals following the retirement of Colin Tough.
There has been much focus on digital over the past twelve months, but print remains an important medium for many publishers. We grab five minutes with Michael Warner of Warners Midlands Printers to discuss the outlook for print.
FreeFeatures, a recently re-launched service, says it aims to help media owners in the UK who have been limited in their ability to create new content because of coronavirus restrictions and furlough.
To launch the Proud To Be Me Initiative, Hearst will be hosting a virtual In Conversation with transgender activist, model & writer, Munroe Bergdorf and editors Lotte Jeffs and David Opie.
Earlier this month, Future announced that they have entered an agreement to license woman&home magazine to Highbury Media, South Africa.
Mark Allen Group has signed a long-term retail distribution contract with Marketforce.
The Journalists’ Charity is launching a new initiative aimed at helping new starters at the beginning of their careers.
Mike Mirams has announced that he will be retiring from his position as Chief Executive Officer of the newspaper and magazine industry charity, NewstrAid, in August 2021.
In our latest webinar, Lineup’s Joe Cronin focused on subscription trends. James Evelegh picks out some of the takeaways from his presentation.
The Covid lockdown has had a huge impact on Men’s Health. It’s changed what they write about, who they put on their front cover and their whole approach to multi-platform publishing. Meg Carter finds out more from Editor-in-Chief Toby Wiseman.
Signature Publishing is launching a new monthly magazine for pre-school children, which changes theme every issue.