Warners launches five outdoor leisure titles on Exact Editions platform
Digital editions of five outdoor leisure titles published by Warners Group Publications are now available on the Exact Editions platform.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Digital editions of five outdoor leisure titles published by Warners Group Publications are now available on the Exact Editions platform.
Two of the biggest wellness events of 2021 will take place throughout the month of January, as both Men’s Health and Women’s Health launch their virtual Weekenders.
Every year Readly analyses reading habits across the thousands of magazines on its platform. This year’s top performing categories were home, food and DIY.
The BSME announced, on 18 December, the shortlist for their 2020 awards.
PressReader, a newspaper and magazine platform, will now include Condé Nast’s media brands in its growing catalogue.
Future Plc says that the latest Comscore figures show that it has taken the number one spot in both site and network rankings among gaming sites in the UK.
Ahead of the release of Bridgerton on Netflix, the streaming service has partnered with Bauer Media and the holiday issues of magazines heat, Closer and Grazia to raise awareness of and entice audiences.
Cyclist, Dennis’ monthly road cycling magazine, has partnered with PedalTripr to launch Cyclist Tours, a new site that curates exclusive experiences for cycling enthusiasts.
Digital subscription services like Readly are popular ways of consuming magazines and newspapers. We grab five minutes with Readly’s Chris Couchman to talk about developments, past and present.
eMagazines has collaborated with Hearst UK to launch instant digital access on their webstore, hearstmagazines.co.uk.
Following a successful trial during Project Restart, Reach Sport and Jellyfish have teamed up to launch interactive digital matchday programmes for Manchester United and Celtic football clubs.
Future has announced the launch of a new first-party audience data platform that will enable marketers to reach high-intent audience segments.
Future plc has published its Annual Report for FY20, reporting strong results, including a 56% year-on-year growth in online audiences.
Haymarket have announced that the apps for their motoring portfolio – Classic & Sports Car, Autosport and What Car? – will now be powered by the Jellyfish owned MagazineCloner digital publishing platform.
Looking to start 2021 off on a positive note, magazine, catalogue and brochure printer Warners Midlands is soon to take delivery of its most recent investment.