Passendo announces three more strategic hires
Passendo, an in-email advertising platform, has made three new hires in January spearheading its global business development in 2021.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Passendo, an in-email advertising platform, has made three new hires in January spearheading its global business development in 2021.
Bauer Media UK’s Empire magazine has collaborated with film director, producer and screenwriter Edgar Wright to produce a special issue celebrating cinema’s greatest ever moments.
Bauer Media UK is to add two new magazines to its growing Puzzles portfolio.
Bauer Media UK’s weekly real-life title ‘that’s life’ is to increase the frequency of its true-crime spin-off Crime Scene to monthly.
Spread the Word Media, an independent sales and marketing agency, has marked its 5th anniversary with a move to larger offices, a new logo and… branded cupcakes.
Country Walking launches its annual challenge #Walk1000Miles 2021 with a dedicated 64-page supplement and two new membership packages CountryWalking+ and Walk1000miles+.
The Professional Publishers Association has launched The PPA Awards 2021, celebrating the best in magazine media and business information publishing over the past 12 months.
Nine people from four companies appeared at Westminster Magistrates’ Court in December accused of involvement in a fraud operation on the Royal Mail worth £81 million.
Immediate Media Co has announced a new look for olive magazine, now created by the same team as BBC Good Food.
Dirt Bike Rider magazine has been acquired by Bikesportnews.com.
John Innes, Executive Director of Think Publishing, has been confirmed as the new Chairman of the Professional Publishers Association in Scotland.
Grazia has announced the launch of its new parenting brand The Juggle, in partnership with Huggies.
The PPA has announced the launch of what it says is the first-ever industry-wide diversity and inclusion survey.
What do the next twelve months have in store for the publishing sector? We grab five minutes with Adam Sherman, CEO of Air Business, to get his take on the challenges and opportunities facing publishers.
Cubiquity, a media procurement agency owned by Claverley Group, has announced the appointment of Hannah Lloyd as bids and marketing manager.