Launch: MagCirc Solutions
MagCirc Solutions, a new magazine consultancy specialising in newsstand distribution, launched this week.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
MagCirc Solutions, a new magazine consultancy specialising in newsstand distribution, launched this week.
As part of the acquisition of TI Media, which completed in April, Rachel Addison has been appointed to the Board of Future PLC as Chief Financial Officer with effect from 1 June 2020.
Harper’s Bazaar, Hearst’s luxury fashion, art and literary magazine, has revealed a limited-edition July cover in support of the NHS.
Covid-19 has put great strain on publisher workflows and accelerated a number of existing trends as publishers transition to cloud-based solutions making greater use of AI. We grab five minutes with Atex CEO Federico Marturano to find out more.
One of the UK's leading Christian magazines has been removed from Google's app store for reporting on the coronavirus crisis.
TI Media has completed the sale of UK Cycling Events (UKCE) to ex-UKCE employee and founder of trail running events company Maverick Race, Ben Macwilliam.
Digital newsstand Readly has expanded its portfolio to include UK daily newspapers on its platform for the first time.
The Spectator magazine has announced that it is withdrawing from the government furlough scheme and that it will be returning the money.
The Vogue cover stars are Narguis Horsford, a train driver on the London Overground, Rachel Millar, a community midwife in east London, and Anisa Omar, a supermarket worker in King’s Cross.
Re-Edition, a fashion and culture magazine, is now available for digital subscription through archiving company Exact Editions.
The Week magazine celebrates 25 years of publishing with its issue dated 1st June 2020.
Covid-19 has thrown everything up in the air: publishing schedules, editorial plans and ways of working. Magazines that have worked hard to maintain relevance and engender trust, are well placed to survive this crisis, says Hearst’s Gaby Huddart.
With Janine Gibson’s recent promotion to a senior digital position at the Financial Times and the AOP Digital Publishing Awards coming up in October, Jack Wynn investigates female representation in digital journalism.
Fake news is nothing new. What is new is the modern communications network that allows crackpot ideas to spread like wildfire. To what extent should serious media cover this nonsense, asks Dickon Ross.
After five years, 33 columns and almost 200 titles put under the 'Spotlight', Alan Geere shares what he's learnt from the experience. What works and what doesn't, plus some easy fixes that all editors and publishers should look at.