NME launches new gaming channel
NME has announced the launch of a new gaming channel on its website and also the launch of a new Australian print edition.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
NME has announced the launch of a new gaming channel on its website and also the launch of a new Australian print edition.
VICE Media Group CEO Nancy Dubuc last week announced the company is adding Daisy Auger-Domínguez to its leadership team in the role of Chief People Officer.
IAB Europe last week released its ‘Guide to the Post-Third-Party Cookie Era’, to prepare brands, agencies, publishers and tech intermediaries for the post-third-party cookie advertising ecosystem.
Dennis’ Cyclist has launched the Cyclist Magazine Podcast, hosted by digital writer Joe Robinson and deputy editor James Spender.
£1 from every copy of Puzzler Family Collection sold will be donated to NHS Charities Together, say the publishers.
Covid-19 has presented publishers with huge challenges, including having to publish when the whole team is stuck at home. We grab five minutes with Russell Pierpoint, MD of Evolved Media, to find out how working from home can be made to work.
A call for far-reaching reform of the programmatic advertising supply chain has been made this week, with the publication of a study by the Incorporated Society of British Advertisers.
The shortlist for the 2020 British Society of Magazine Editors Talent Awards has been announced.
BBC Match of the Day magazine has launched its first ever Voice app – The BBC Match of the Day magazine Quiz.
Egmont Publishing has sold its children’s book businesses in the UK, Poland and Schneiderbuch in Germany, and now looks to grow its magazines business.
Dennis Automotive has announced a million-pound campaign to support the UK car industry as it looks to reopen and rebuild as a result of the Coronavirus crisis.
The Society of Editors and the PPA have welcomed news that the government is to scrap VAT on e-publications from 1 May.
Hats off to salespeople everywhere. For many publishers, they still bring in the lion’s share of revenues, but now face the toughest of advertising environments.
Stylist chose Canvasflow to quickly turnaround a mobile optimised Stylist Magazine.
Puzzler and The People’s Friend have partnered up to create a dementia friendly activity book for care home residents unable to see loved ones due to the coronavirus pandemic.