Signature creates Pets2Collect Toy Advent Calendar
In the lead up to the festive period, Signature Publishing are publishing a special issue of its Pets2Collect magazine which includes their first toy advent calendar.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
In the lead up to the festive period, Signature Publishing are publishing a special issue of its Pets2Collect magazine which includes their first toy advent calendar.
Stylist this week announced a new editorial initiative ‘The Stylist Restival’. Stylist is responding to findings from its first ‘Sleep Census’ which shows that women are facing a sleep nightmare.
Future has announced the acquisition of TV and digital video production company Barcroft Studios.
Esquire, Hearst UK’s men’s magazine brand, has launched a pop-up boutique in London’s Princes Arcade.
LeKiosk, a European information streaming platform, is rebranding as “Cafeyn”.
Are you charging for your content yet? If you’re not asking for money or data, warned Juan Señor at the PPA conference last week, then it’s game over.
The Economist Group yesterday published new research that reveals a growing disconnect between CMOs’ vision for the marketing function, compared to their C-suite counterparts, and even their own marketing teams.
ESco has re-launched a news and events site for Holyrood Magazine, a fortnightly Scottish political and current affairs brand.
The TLS has today relaunched with a new visual identity.
TTG Media was one of the big winners at Friday’s awards event, walking off with several awards including ‘Independent Publishing Company of the Year’.
TI Media, the publisher of woman&home and Country Life, has announced the launch of a new travel product.
A new survey from the World Media Group into content-led marketing suggests an increase in brand activism, with advertisers using content campaigns to align themselves with social and environmental issues.
The NFRN and Smiths News have committed to work together more closely to help drive news sales and to enhance the service that retail customers receive from the news wholesaler.
Bauer Media yesterday brought Smash Hits magazine back for a one-off special in partnership with the new West End musical & Juliet.
The Ozone Project, a publisher-owned advertising network, has announced The Stylist Group as its fifth publisher.