What every good salesperson needs
Ad sales will remain a vitally important revenue stream for many years to come. Key to maximising sales is giving proper support to your sales teams.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Ad sales will remain a vitally important revenue stream for many years to come. Key to maximising sales is giving proper support to your sales teams.
The world of subs marketing is changing rapidly, as content consumption habits evolve & publishers look to increase reader revenues. What should publishers be doing? We grab 5 minutes with Stuart Lacey, MD of Air Business Subscriptions, to find out.
Oh, a reimagination of women’s magazine, Oh Comely, goes on sale this week following a pivot into the growing mindful market.
The Professional Publishers Association this week published a guide, designed to help magazine and business media owners prepare their businesses ahead of a potential no-deal Brexit on October 31.
The International Federation of Audit Bureaux of Certification has launched the Certified Media List, the first global list of more than 14,756 audited media brands from 19 IFABC member countries across the globe.
With the release of their new book ‘The Book of Gutsy Women’, Hillary Rodham Clinton and Chelsea Clinton have teamed up again on their latest challenge: guest editing Stylist Magazine.
The Philosopher, the official journal of the Philosophical Society of England, has partnered with digital publishing company Exact Editions to create a new digital archive.
Hearst UK has appointed Tom Banham as Digital Editor of Esquire.
Immediate Media Co has appointed Dominique Corlett as editor of Essential Kitchen Bathroom Bedroom Magazine.
The Board of Future plc last week announced that it has accelerated the payment of earnouts to the management team of MoNa Mobile Nations.
The magazine Scottish Wedding Directory, published by DC Thomson Media, has a new look and has dropped the word ‘Directory’ from its name.
The British Society of Magazine Editors has unveiled the shortlists for its 2019 awards, which will be presented in November.
Country Life this week introduces London Life, which it describes as “an indispensable guide to the capital”.
Axel Springer’s Auto Bild will join international licensing forces with its license partner Dennis’ Auto Express to develop a new content package to the global media market.
To mark World Mental Health Day (October 10th), Bauer Media brands are calling on audiences to ditch social media for one hour.