Rebuilding trust
At the recent AOP Digital Publishing Summit, Sean Pillot de Chenecey outlined what publishers need to do to rebuild trust in the post-truth era.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
At the recent AOP Digital Publishing Summit, Sean Pillot de Chenecey outlined what publishers need to do to rebuild trust in the post-truth era.
In mid-October, Workbooks’ Andre Galinha presented one of our Top Tips Webinars, entitled ‘5 Ways CRM can Help Improve your Ad Sales’. In this article, Andre revisits some of the questions posed in the Q&A that followed his presentation.
Future yesterday announced its intention to acquire TI Media, one of the UK’s largest magazine publishers.
Readly, a digital magazine subscription platform, is launching a new service dedicated to bringing curated articles from publishers directly to its readers.
Warners have partnered with Exact Editions to offer access to 5 years’ worth of issues of Leisure Painter and The Artist magazines as part of the ‘Studio’ membership to the community Painters Online.
55% of publishers believe that their monetisation models will shift to a greater emphasis on subscriptions, according to new research from Zephr and Digiday.
As it reaches its 40th birthday, life is looking pretty good for the London Review of Books.
Anthem Publishing has launched a new magazine series, Queens of Pop, with the first issue on sale this week.
Glamour has announced the first speakers and brands for the GLAMOUR Beauty Festival in Manchester and that Boots UK will be the headline sponsor.
CEO of BURO.Global, Nick Smith, today launched the flagship UK destination for the brand’s digital-first luxury publishing network for affluent millennials.
Egmont Publishing has announced the launch of Poopsie Slime Surprise magazine in collaboration with MGA Entertainment.
Homes and Antiques this week launched the inaugural Interiors with Soul Week, a “week of inspiration and practical tips to create the most wonderful homes”.
Anthem Publishing will be donating 10p from every magazine sold throughout October to mental health charity Bath Mind.
The Boards of Bauer Media Group and Seven West Media have announced an agreement for Bauer Media to acquire Australian publisher Pacific Magazines.
In the lead-up to Christmas, Signature Publishing launches a special issue of We Love dedicated to the popular brand, The Elf on the Shelf.