Next acquires Fabled by Marie Claire
It was announced this week that Next has acquired Marie Claire Beauty Limited from Ocado.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
It was announced this week that Next has acquired Marie Claire Beauty Limited from Ocado.
Readly, a digital magazine subscriptions company, has announced that it has completed a €15 million investment round.
Egmont Publishing has announced that they will be part of the latest expansion of Ryan’s World in securing the rights to publish the official Ryan’s World magazine and books.
Bauer Media has launched the Mojo Innovators podcast with Jaguar as its commercial launch partner to promote the relaunched Jaguar XE.
Dennis Publishing has announced the appointment of John Webb as Managing Director of Demand Generation.
Mediapro, a leading European broadcaster and multimedia communications group, has selected MPP Global’s eSuite to power the launch of their new international Canadian soccer OTT service, OneSoccer.
Vice Media has appointed Carlos Nazario as Global Fashion Director of i-D.
Marie Claire has announced the appointment of Sara Vaughan as its Chief Purpose & Sustainability Advisor.
The magazine will have a STE(A)M focus (Science, Technology, Engineering, the Arts and Mathematics) with the aim of inspiring young readers to discover, create, learn, and have fun.
A sure-fire way of building magazine sales is to use social media to spot emerging trends and to then quickly create and launch new titles into the nascent sector, says Marketforce’s Christina Sequeira.
The winners of the BSME Talent Awards were announced on 10 June at Omeara in London.
Art Review and Modern Media Holdings have announced the acquisition of a majority shareholding in ArtReview, ArtReview Asia and artreview.com by Modern Media, the Chinese communications group.
A new study commissioned by Hearst UK, reveals people in a positive mind-set are 90% more likely than those feeling less positive, to buy a product they have seen advertised.
Condé Nast International has announced the launch of Vogue Business Talent, a curated recruitment platform for people seeking opportunities with the world’s leading fashion brands.
The weekly theatre newspaper The Stage has launched a growing archive of fully searchable issues in partnership with digital publishing company Exact Editions.