Kiplinger’s acquires portion of Money magazine’s subscribers
Kiplinger has acquired the Direct-to-Publisher (DTP) subscription file from Money magazine, which Meredith Corporation recently announced was ceasing publication.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Kiplinger has acquired the Direct-to-Publisher (DTP) subscription file from Money magazine, which Meredith Corporation recently announced was ceasing publication.
BBC Good Food has partnered with EdTech start up, Learning with Experts, to deliver online cookery classes.
Six chief executives took part in ‘View from the Top’ panel sessions at the PPA Festival. James Evelegh heard what they had to say.
Guardian Weekly is to be packaged in a compostable wrap to subscribers receiving the publication in the post.
Bauer Media’s Take a Break is to launch a companion magazine aimed at pet lovers this week.
Market grows 13.9 percent, which is the fastest growth since 2011, reports IAB Europe.
BURO.Global has recruited Natalie Hartley, who has previously worked at Glamour UK, as Fashion Director.
For the six months ended 31 March 2019, DMGT has reported revenues of £724m, in line with last year on an underlying basis.
Naviga, a provider of software and services to the media sector, has announced the acquisition of Zinio, a technology platform for digital magazines.
The Strad has partnered with digital providers Exact Editions to offer subscriptions to institutions and individuals around the world.
Egmont has revealed that its latest issue of Showcase magazine is a special based on the popular Nick Jr. TV series, Nella the Princess Knight.
Readly, the Swedish founded digital magazine subscription service, has launched its service into the Italian market.
The Munich-based media distribution company has announced that Singapore Airlines is the first Asian airline to deploy its e-paper library.
In April, Future’s How It Works magazine printed an extra 5,000 copies for special distribution at the Science Museum in London.
vjoon GmbH, a leading developer of content management solutions, has announced the setting up of vjoon Inc.