Stylist launches fitness brand
The Stylist Group has announced the launch of a women’s fitness studio and brand, Stylist Strong.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Stylist Group has announced the launch of a women’s fitness studio and brand, Stylist Strong.
Veit Dengler, a member of Bauer Media Group’s Executive Board in Hamburg, will become Chief Operating Officer (COO) with immediate effect.
The Big Issue has enlisted the help of celebrities to announce the launch of Pay It Forward, which turns The Big Issue into the world’s first resellable magazine.
The complete archive of Opera Now is now available on the Exact Editions platform.
Following a 25 year-long career in lifestyle publishing, Tony Long has joined new luxury magazine, Club Oenologique, as publisher.
The Atlantic has hired Johanna Mayer-Jones to oversee its global and multi-platform sales teams as SVP of Partnerships.
On 28th March, LSO St Luke's played host to the rising stars of consumer magazines and business media.
Madeleine Wilson has been appointed Creative Partnerships Associate Director at British Vogue.
Immediate Media Co has announced the appointment of Paul McGuinness as new editor for BBC Wildlife Magazine.
ClearCourse has announced its acquisition of Circdata, a leading provider of event and subscription services.
James Evelegh attends ESco Connect and comes away with six tips for increasing renewal rates.
Bauer has announced that it will be entering the marketing and sales services sector as part of its new business strategy.
Apple has announced Apple News+, a new subscription service that brings together over 300 magazines, newspapers and digital publications.
Some redesigns are cosmetic, some are radical. The Big Issue’s recent one was a biggie. Paul McNamee talks us through it.
‘Going viral’, ‘viral campaigns’ and ‘virality’ are all words and phrases that have entered the digital publishing lexicon in recent years. But what makes a story go viral? And what do publishers have to gain, or fear, from it? Martin Belam reports.