Glamour Beauty Festival: Speakers and Sponsor Revealed
Glamour has announced the speakers for the Glamour Beauty Festival and that Boots will be the headline sponsor.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Glamour has announced the speakers for the Glamour Beauty Festival and that Boots will be the headline sponsor.
DC Thomson Media has launched Inspiralist, a new online lifestyle destination.
The Telegraph has announced its inaugural Stella Live event on May 10 & 11 at the Saatchi Gallery in London.
Future has announced the acquisition of two titles from Immediate Media: CyclingNews and Procycling Magazine.
The Digital, Culture, Media and Sport Committee yesterday published its final report on Disinformation and ‘fake news’.
With growing concern over climate change, Vespa has launched a new plastic-free magazine for 5-10 year olds, called Munch Cats!
Hachette Partworks has announced the launch of The Terminator Build The T-800 Endoskeleton – a new weekly partwork.
British GQ last week announced the official launch of GQ Hype, a new premium digital weekly content model.
Bauer Media’s movie magazine, Empire, is to publish its first ever cover devoted to a television show, Game of Thrones.
The ABC yesterday released the consumer magazine circulation results for the July – December 2018 period and publishers have responded with their interpretation of the figures.
Bauer Media Group last week announced it will acquire Wireless local stations across England and Wales.
Keith Richards has guest edited this month’s issue of Bauer Media’s monthly music title, MOJO magazine.
Vogue is to deliver a world exclusive in recognition of the late street-style photographer and fashion historian Bill Cunningham.
The new weekly partwork from Hachette Partworks goes on sale on 13 February.
In an increasingly frenetic media world, how do magazines stand out from the crowd and win reader loyalty? One way is to make the front cover extra special. We grab five minutes with Steve Middleton, sales director at Celloglas, to find out what inte